Brooklyn Museum Celebrates Rockwell Exhibit

The Brooklyn Museum’s Target First Saturday attracts thousands of visitors to free programs of art and entertainment each month. The April 2 event is a celebration of the different techniques artists employ to create a final product, as showcased in the special exhibition Norman Rockwell: Behind the Camera.

Throughout the evening, a cash bar will offer beer and wine, and the Museum Cafe will serve a wide variety of sandwiches, salads, and beverages. The Museum Shop will remain open until 11 p.m.

Some First Saturday programs have limited space available and are ticketed on a first-come, first-served basis. Programs are subject to change without notice. Museum admission is free after 5 p.m. Museum galleries are open until 11 p.m. Parking is a flat rate of $4 from 5 to 11 p.m.

Highlights include:

5-7 p.m. Music
The Fat Cat Jazz Club presents the Afro-Latin Jazz Alliance and the New York City All-Star Youth Big Band.

6 p.m. Film
Wuthering Heights (Peter Kosminsky, 1992, 105 min., PG). Juliette Binoche stars in this adaptation of Emily Bronte’s classic novel, the inspiration for the exhibition Sam Taylor-Wood: &#8220Ghosts.&#8221 Free tickets available at the Visitor Center at 5 p.m.

6:30 p.m. Performance
Beat boxer Kenny Muhammad (pictured) teams up with the Cocoro Strings for a new, percussive twist on classical music. Free tickets available at the Visitor Center at 5 p.m.

6:30-8:30 p.m. Hands-On Art
Sketch a charcoal portrait from live models as they emulate poses found in Rockwell’s illustrations. Free timed tickets available at the Visitor Center at 5:30 p.m.

7 p.m. Curator Talk
Catherine Morris on Lorna Simpson: Gathered. Free tickets available at the Visitor Center at 5 p.m.

8-10 p.m. Dance Party
DJ duo AndrewAndrew use their iPads to spin a zigzag history of pop.

9 p.m. Young Voices Talk
Student Guides on Norman Rockwell: Behind the Camera.

9-10 p.m. Performance
The Upright Citizens Brigade presents a series of improvisational skits based on visitors’ suggestions.

10-11 p.m. Late Night in the Galleries
All galleries open.

Photo: Kenny Muhammad. Photo Courtesy of the Artist.

Buffalo: Through Their Eyes Exhibit

In collaboration with Journey’s End Refugee Services and CEPA Gallery, Buffalo & Erie County Historical Society presents &#8220Buffalo: Through Their Eyes,&#8221 photography by international refugees living in Buffalo.

For their silver anniversary, Journey’s End asked recently arrived refugees to document the experience of adjusting to life as Buffalo’s newest residents. The participants received disposable cameras and training from CEPA Gallery. Their resulting images, reminiscent of early photographs of the ancestors of fellow Buffalonians, capture intimate moments in their homes, workplaces, communities- in essence the details of &#8220their&#8221 Buffalo.

Twenty-five images from the &#8220Buffalo: Through Their Eyes&#8221 project will be displayed from Friday, April 1 to Sunday, June 26, in the Historical Society’s Community Gallery. Admission to the gallery is free with paid museum admission.

There will be an opening reception, which is free and open to the public, on Sunday, April 3 from 12 to 5 pm.

Major Hudson River School Exhibition Opens

Questroyal Fine Art in New York City has announced the beginning of its eleventh annual Hudson River School exhibition, An Untamed Nation. The show, which opened to the public March 10, features examples by America’s most beloved landscape artists of the nineteenth-century. Highlights include a sublime landscape by the 19th-century forefather of American art, Thomas Doughty, a marine masterpiece by Luminist painter Francis Augustus Silva, a vibrant Hudson River scene by Jasper Francis Cropsey, and a dramatic composition by George Inness.

Questroyal owner Louis M. Salerno said of the paintings: “After months of searching, I am happy to say that I have gathered a unique and high-quality group of paintings for this year’s exhibition. I have specialized in finding and offering Hudson River School works for over two decades now and have never displayed such a distinguished collection of nineteenth-century art as what we have for this year’s show. We have created one of our strongest Hudson River School catalogues to accompany the exhibition with thirty-two illustrations, but plan to display well over seventy-five works.”

An Untamed Nation will be on display until April2,2011. Questroyal is willing to offer a complimentary exhibition catalogue to any interested parties. Please contact the gallery via email ([email protected]) or phone (212-744-3586) to request your copy.

Admission to the exhibition is free of charge. The gallery is located at 903 Park Avenue (at 79th Street), Suite 3A & B and is open Monday–Friday from 10–6 PM and Saturday, 10–5PM.

Visit their website for more information.

State Museum 1911 Capitol Fire Exhibit Opening

The “1911 Capitol Fire” exhibition will open at the New York State Museum on March 19 as part of a series of special events and programs commemorating the 100th anniversary of the devastating fire that struck the New York State Capitol.

Many Albany residents awoke in the early morning hours on March 29, 1911 to see the Capitol on fire. The entire western side of the presumed fireproof building was engulfed in flames shooting 200 feet high. The fast-moving flames destroyed much of the State Library, the fifth largest in the U.S., which was housed in the Capitol.

More than 8,000 Museum objects stored in the Capitol were also destroyed or lost. The fire caused the unprecedented destruction of the state’s intellectual, cultural and historic property and also claimed the life of the lone night watchman.

Special events will include a commemoration ceremony at the Capitol on March 29 at 10 a.m., sponsored by the New York State Commission on the Restoration of the Capitol. The State Museum also will host a preview of a WMHT documentary – “The New York Capitol Fire” – in the Huxley Theater on Monday, March 28 at 12:15 p.m. It will air on WMHT on Thursday, March 31.

Open until June 18 in the lobby of the Office of Cultural Education (OCE), the exhibition is a collaboration between the State Museum, State Library and State Archives and chronicles how the fire affected each of the OCE institutions and their collections. It is based largely on the book, “The New York State Capitol and the Great Fire of 1911,” written by Paul Mercer and Vicki Weiss, senior librarians in the State Library’s Manuscripts and Special Collections unit.

The exhibition will include dramatic photographs, eyewitness accounts and artifacts that survived the blaze. One of those is a section of the iron chain link that stretched across the Hudson River between West Point and Constitution Island to prevent British vessels from navigating up the river during the American Revolution. West Point was a strategic site because of the s-curve in the Hudson there that forced large ships to slow down and become an easy target. The links were recovered from the State Library ruins after the fire. Another section of the chain is preserved at the West Point Military Academy.

Also on display are an 1892 fire helmet, lantern and fire nozzle, courtesy of Warren W. Abriel, a deputy chief in the Albany fire department and a fourth-generation Albany firefighter. The helmet was worn by Abriel’s great-grandfather, Reuben H. Abriel, who manned Steamer 2 for the Albany Fire Department when it was a volunteer force.

There also will be several objects showing fire damage that were part of the Museum’s world-famous Lewis Henry Morgan collection. New York state commissioned Morgan to gather objects from the Haudenosaunee (Iroquois) communities in the state and from the Six Nations reserve in Canada in 1849-50. All but 50 of some 500 objects were on exhibit.

On the day of the fire Arthur C. Parker, who was Seneca and the state’s first archaeologist, risked his life to save Museum collections and wrote that he was only able to save about 1,500 of the 10,000 objects. The only items in the Morgan collection that survived were in his office. The Parker family assisted Morgan in assembling the collection.

More information on the Morgan collection will be available at one of the programs planned at the Museum to complement the exhibition. The talks are all on Tuesdays at 12:15 p.m. They are:

* March 29 – Talk and Book Signing: “The New York State Capitol and the Great Fire of 1911.” Mercer and Weiss will present dramatic stories and images from their new book. The book will be for sale after the talk and also is available in the Museum shop and from the Friends of the New York State Library &#8211 http://nyslfriends.org/, which will receive all royalties from the book.
* April 5 – “The Conservation of Burned Documents.” Paper conservator Susan Bove of the State Archives will discuss contemporary preservation methods that were used to repair documents salvaged from the Capitol Fire. She will also talk about the conservation treatment protocol that she developed to meet the needs of these especially fragile items.
* Tuesday, April 12 – “Lessons Learned: Modern Response to Fire Events in Cultural Institutions.”

Paper conservator Michele Phillips of the State Office of Parks, Recreation and Historic Preservation’s Bureau of Historic Sites will provide an overview of best practices in action to safeguard collections and their impact on salvage and recovery.

Tuesday, April 19 – “A Capitol Loss: The Lewis Henry Morgan Collection.” Dr. Betty J. Duggan, the Museum’s curator of Ethnography and Ethnology, recounts the collection’s history and the experience of its young curator, Arthur C. Parker, during and after the fire.

The State Museum is a program of the New York State Education Department’s Office of Cultural Education. Located on Madison Avenue in Albany, the Museum is open Monday through Saturday from 9:30 p.m. to 5 p.m. except on Thanksgiving, Christmas and New Year’s Day. Further information can be obtained by calling (518) 474-5877 or visiting the museum website at www.nysm.nysed.gov.

Photo: Amateur photographer Harry Roy Sweney captured the Capitol inferno at 3:30 a.m. on March 29, 1911. The New York American paid $25.00 for the first print of this dramatic photograph. Courtesy New York State Library, Manuscripts and Special Collections.

Hyde Collection to Feature New Acquisitions

The Hyde Collection in Glens Falls, Warren County, has announced the opening on March 8 of its newest exhibition – What’s New? Acquisitions from 2008 to 2010.

The exhibition, which will be on display through May 29, features approximately twenty-four works of art acquired by The Hyde Collection between 2008 and 2010. During this period, the Museum accessioned an unprecedented ninety-six objects into its permanent collection through bequests, gifts, and purchases from a variety of donors and sources.
 
What’s New? highlights a selection of these recent additions, many of which introduce artists who have not been represented in the collection to date. The exhibition also emphasizes the variety of media in which these artists worked. Featured are such works as the monumental etching, The Gate Of Venice from 1888, by the American artist Thomas Moran (1837-1926) and a stunning Pond Lily Lamp from the Tiffany Studios, dating to the early-twentieth century. Also on display are a luminous watercolor by the American modernist Arthur Dove (1880-1946) from 1934-35 and an early engraving by the German Renaissance master Albrecht Durer (1471-1528).

The works will be on view in the Hoopes Gallery and in the Education Wing of the Museum. The exhibition is curated by Erin Coe, chief curator, and Jayne Stokes, associate curator of The Hyde Collection.

Museum to Exhibit Stoddard Images of Glen’s Falls

Many times in the late 19th century Adirondack photographer Seneca Ray Stoddard turned to the falls of the Hudson at Glens Falls for subject matter. He focused on the cascades, pools and rock formations that he found in the river bed as well as the bridges and factories above. Stoddard returned often to photograph the events that occurred there. Included in his work are images of floods, fires, and new mills along the river banks.

Until May 8th the Chapman Historical Museum will exhibit a selection of fifteen original Stoddard’s photos of “The Falls under the Bridge.” The show will be followed this summer by a second series featuring Stoddard’s photos of other falls in the Adirondacks.

The Chapman Historical Museum, located at 348 Glen Street, Glens Falls, is open Tuesday to Saturday, 10 am to 4 pm, and Sunday, noon to 4 pm. For info call (518) 793-2826.

Photo: Glens Falls, View from the South Side of the Bridge, ca. 1875. Courtesy Chapman Museum.

Cayuga Museum Film Fest Seeks Entrants

The 2011 Theodore Case Film Festival seeks entrants. Auburn’s only home-grown film festival honors the work of sound film pioneer Theodore Case and his Case Research Laboratory. Its mission is to further the experimental legacy of the Case Lab by promoting original visual media in Central New York. Festival organizers are actively seeking entries, spreading the word in movie houses, colleges, high schools and middle schools throughout Central New York. The work of area student and adult filmmakers will be screened at the Auburn Public Theater on June 10 and 11. The theater is on Genesee Street in downtown Auburn, the city which is proud to proclaim itself “The Birthplace of Talking Movies.”

Central New York residents are invited to submit their recent work (post January 2009) of thirty minutes or less. Entries should be on DVD. Entry forms may be picked up at the Cayuga Museum, 203 Genesee St., in Auburn, or downloaded from either the Theodore Case Film Festival’s website or the Museum’s website. Work in all genres is welcome and there is no entry fee. Deadline for entries is May 2, 2011.

Split Second: A Unique Exhibition Experience

Split Second: Indian Paintings, a small installation of ten rarely seen works from the Brooklyn Museum collection, on view July 13 through December 31, 2011, will result from a unique online experiment that was inspired by Malcolm Gladwell’s critically acclaimed book Blink: The Power of Thinking Without Thinking.

The project is designed to explore how a viewer’s initial reaction to the work is affected by what they know, what they are asked, and what they have been told about the object in question. Just launched on the Museum website, the experiment consists of three steps.

The first phase consists of a timed trial. To gauge a person’s split-second reaction to a work of art, participants are given a four second countdown clock and asked to select which painting they prefer from a randomly generated pair of images from a pool of 167 works. Next, they are asked to write about a painting in their own words and then rate its appeal on a scale. In the final step, participants are asked to rate a work of art after being given unlimited time to view it alongside a typical interpretive text. Each part of the exercise aims to examine how a different type of information-or lack thereof-affects a viewer’s reaction to a work of art.

The resulting installation will include the Indian paintings that generated the most controversial and dynamic responses during the evaluation process. Each painting will be accompanied by an analysis of the data collected and a visualization of the data that explores the public’s response during the online evaluation.

The Brooklyn Museum collection of Indian paintings is considered among the finest in the United States. Rarely on public view because of their extreme sensitivity to light, Split Second: Indian Paintings provides a rare opportunity to view these seldom seen works of art.

The installation is organized by Shelley Bernstein, Chief of Technology, in consultation with Joan Cummins, Lisa and Bernard Selz Curator of Asian Art at the Brooklyn Museum. Bernstein was also the organizer of the landmark exhibition Click! A Crowd-Curated Exhibition presented at the Brooklyn Museum in 2008.

Illustration: Dhanashri Ragini. Page from an illustrated Ragamala series. Northern India (Punjab Hills, Kangra), ca. 1790 or earlier. Opaque watercolor and gold on paper. Overall: 10 x 6 15/16 in. (25.4 x 17.6 cm). Brooklyn Museum.

Seminar: American Motorcycle Competition of 1912

The Saratoga Automobile Museum in Saratoga Springs has announced a historical seminar on motorcycles this February 26, 2011 from 11 am to 2 pm. After the large success of Marty Christopher’s “History of the Motorcycle” in 2010 he has decided that this years theme would be “American Motorcycle Competition of 1912”. Mr. Christopher thought that a seminar about competition motorcycles would be a great tie in with the Museum’s existing exhibit.

The exhibit opened in October of 2010 and will be open until May 1, 2011. There are several bikes on display for visitors to take a look at. From Asphalt to Ice is the title of the exhibit and is the third one that the Museum has put together since they decided to make motorcycles part of their changing exhibit series. Christopher has been instrumental in assisting the Museum in locating motorcycles for each exhibit and he has said that he will use the motorcycles on display as models for his seminar.

The Museum invites everyone to join in on “American Motorcycle Competition of 1912” seminar. Spend the day finding out what motorcycle racing was like in America back in 1912.

Participants will learn about the types, tracks, bikes, and of course the riders. What rules were in 1912, performance tricks, engine configurations, nick names of riders and how the riders earned their names.

“These motorcycles have been stripped of all excess and have no comfort. There are little to no decorations and safety is always in question. The rider is exposed right down to their nerves as they pull back on the throttle on the green and speed forward,” Christopher said when asked to give a brief description about what racing was like in 1912.

The Saratoga Automobile Museum is located at: 110 Avenue of the Pines, Saratoga Springs, NY 12866. Hours of operation: 7 days a week, 10 am to 5 pm. Admission: Adults &#8211 $8.00, seniors and students &#8211 $5.00 with children under 6 free. For more information call Tracy Paige (518) 587-1935 x 17 or [email protected].

Recent Acquisitions Exhibits Opens Brooklyn Museum Space

The Brooklyn Museum will present the special exhibition Thinking Big: Recent Design Acquisitions from March 4 through May 29, 2011. The installation of forty-five twentieth- and twenty-first-century objects from the Museum’s permanent collection of decorative arts that have been acquired since 2000 will include a number of large-scale objects that will be exhibited for the first time.

Several important themes that have guided these acquisitions will be highlighted, including Brooklyn-designed objects- young designers- unusual materials and innovative methods of production- designs for children- and mid-twentieth century modernism.

The Brooklyn Museum has been actively acquiring twentieth- and twenty-first-century objects since the 1970s. Among the works featured in the exhibition are &#8220Cinderella&#8221 Table by Jeroen Verhoeven, 2005- Chest of Drawers, Model #45, &#8220You Can’t Lay Down Your Memories&#8221 by Tejo Remy, for Droog, 1991- &#8220Nirvana&#8221 Armchair by Wendell Castle, 2007- Spacelander Bicycle by Benjamin Bowden, 1946- and Womb Chair by Eero Saarinen, 1947-48. Objects by Charles Eames, Cindy Sherman, Konstantin Grcic, Francois Jourdain, and Harry Allen will also be included.

Thinking Big will be the first exhibition in a gallery that has been reclaimed from nonpublic space. The gallery is part of a renovation that is the first phase in a program that will redesign and transform much of the Museum’s first floor beyond the Rubin Pavilion and Lobby, which opened in 2004.

The exhibition is organized by Barry R. Harwood, Curator of Decorative Arts, Brooklyn Museum.

Illustration: Designer and Maker: Wendell Castle (American, born 1932). &#8220Nirvana&#8221 Armchair, 2007. Place made: Scottsville, New York, U.S.A. Fiberglass, 62 3/8 x 33 5/8 x 33 3/4 in. (158.4 x 85.4 x 85.7 cm). Gift of the artist, Brooklyn Museum.