Exhibits

Artists of the Mohawk-Hudson Region Deadline Near

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The entry deadline for the 2010 Artists of the Mohawk-Hudson Region Juried Exhibition, which will be held at The Hyde Collection this fall, is Friday, March 26, 2010.

Founded in 1936, the exhibition is one of the longest running annual juried exhibitions in the country. The Artists of the Mohawk-Hudson Region highlights the finest work by contemporary artists working along the Mohawk-Hudson corridor. This is the first year that The Hyde Collection will host the exhibition, which will be on display from October 1 through January 2, 2011.

Artists of the Mohawk-Hudson Region rotates among three venues. The other two hosts are The Albany Institute of History and Art and the University Art Museum, University at Albany, State University of New York.

Juror for the 2010 exhibition is Charles Desmarais, Deputy Director for Art at the Brooklyn Museum. Desmarais leads a staff of eighteen curators and manages the collection, conservation, education, exhibition, and library departments at the Museum. He previously served as director of the Contemporary Art Center in Cincinnati and was director of the Laguna Art Museum and the California Museum of Photography at the University of California.

Works in a variety of media may be entered and approximately fifty will be selected for the exhibition. Eligible artists include those who reside within a 100-mile radius of either Glens Falls or the Capital Region. Awards will be announced at the exhibition’s opening reception scheduled for October 1, 2010 and a color catalogue will be produced for the exhibition.

Links to entry forms and additional information are available on the Museum’s homepage at www.hydecollection.org.

NYS Museum: Womens History Exhibit During March

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In celebration of Women’s History Month, the New York State Museum will open a small exhibition March 1 featuring artifacts and images from the woman’s suffrage movement of the early 20th century. &#8220Women Who Rocked the Vote&#8221 will be open through March in the Museum’s front lobby window.

The exhibition chronicles the history of the suffrage movement, which was officially launched when Elizabeth Cady Stanton added the demand for equal suffrage to the Declaration of Sentiments at the first woman’s rights convention in Seneca Falls that she helped organize. Modeled on the Declaration of Independence, the declaration condemned male tyranny. It also claimed for women “all the rights and privileges” of citizenship. News of the convention sparked controversy and helped ignite a national movement.

The centerpiece of the exhibition is a large wooden wagon that was once covered in suffrage banners and hand-painted signs as suffrage activists used the wagon as both a prop and a speaker’s platform. There also are historic images and a large painted banner carried in a massive suffrage parade up Fifth Avenue in New York City. The parade came just 10 days before the November 1917 election which gave women the right to vote in New York State. Two years later the state ratified the 19th amendment to the U.S. Constitution that prohibited sex-based restrictions on the right to vote.

The New York State Museum is a program of the New York State Education Department’s Office of Cultural Education. Founded in 1836, the museum has the longest continuously operating state natural history research and collection survey in the U.S. Located on Madison Avenue in Albany, the Museum is open daily from 9:30 p.m. to 5 p.m. except on Thanksgiving, Christmas and New Year’s Day.

Further information can be obtained by calling (518) 474-5877 or visiting the museum website at www.nysm.nysed.gov.

Photo: Suffrage Parade, NYC 1912

A Fugitive Slave Rescued: Paintings of Charles Nalle

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150 years ago, on April 26, 1860, escaped slave Charles Nalle was kidnapped from a Troy bakery and taken to the District Circuit Court at State and First Streets, in Troy where he was to be sent back to Virginia under the Fugitive Slave Act. Hundreds of people, including Harriet Tubman, rushed to the site where a riot ensued, allowing Nalle to escape across the Hudson to West Troy and ultimately to freedom.

On February 27, 2010 from 5-8 pm, the Rensselaer County Historical Society opens a major new exhibit, A Fugitive Slave Rescued: Paintings of Charles Nalle by Mark Priest, which will kick off an examination of this nationally important event. Artist and University of Louisville professor Mark Priest worked with RCHS staff to research the history of the Nalle rescue. His dramatic narrative paintings and drawings depict the events of April 26, 1860, immersing viewers in the emotions and issues of the day. This exhibit is presented in partnership with the Sage Colleges, which also host part of the exhibit through April 26, 2010.

Mark Priest is an Associate Professor of Art at the University of Louisville. He received his MFA in painting from Yale University and has exhibited his work at museums and galleries throughout the United States and internationally. His Underground Railroad series developed from an interest in Harriet Tubman:

“I began my research in 2003 and in May of 2004 I followed the routes on which Tubman took passengers to freedom. Forever etched in my memory are an infinite number of untold stories of individuals who toiled tirelessly to attain freedom. Many events were recounted to me by noted historians, genealogists and descendants while I traveled through, Maryland, Delaware, New York, and Canada- retracing the steps of many who went before me on this route to freedom. The wealth of personal experiences and detailed information I obtained is the foundation of this series or artworks. I strive to create dramatic compositions to portray the intensity of each moment. The life Tubman chose was one of uncertainty. Every moment could have been her last. She carried on undaunted and these are the ideas that I strive to portray in this series. Figures are tugging and heaving, hoisting and dragging. Figures depict the mental, emotional, and physical prowess needed to succeed on the UGRR. Every muscle is strained to the limit. Vibrant color and light are used to lead your eye through the composition.”

Exhibition-Related Events:

Russell Sage College Reception with Mark Priest
Thursday, February 25, 2010, 4-6pm
Schacht Fine Arts Center Gallery
Division & Front Streets, Troy
Free & Open to the Public
(518) 244-2248

High School Student Artist Gallery Talk with Mark Priest

How does Mark Priest get inspired to create his art? What is the life of a professional artist like? High School artists are invited to attend a free workshop and gallery talk with artist Mark Priest and get answers to these questions and more. This workshop is offered as part of the 2010 Art of History Competition, however students need not be preparing work for the competition to participate in the student workshop. Pre-registration is required – call or email Mari Shopsis at 272-7232, x17 / [email protected] or register online at http://artofhistory.eventbrite.com/ .

Thursday, February 25, 2010, 5-7 pm
Rensselaer County Historical Society
57 Second Street, Troy
(518) 272-7232, x17

Exhibition Opening & Book Signing
Saturday February 27, 2010- 5-8 pm, remarks at 6 pm
Rensselaer County Historical Society

Join RCHS and the Underground Railroad History Conference attendees for a reception at RCHS celebrating the exhibit of artist Mark Priest’s Charles Nalle paintings and the release of author Scott Christianson’s new book, Freeing Charles, The Struggle to Free a Slave on the Eve of the Civil War. Freeing Charles is the culmination of 18 years of research into Nalle’s life, escape from slavery, and the operation of the Underground Railroad. In this book, Christianson follows Nalle from his enslavement in Virginia through his escape via the Underground Railroad to his experiences in the North on the eve of the Civil War. Christianson also presents a richly detailed look at slavery culture in antebellum Virginia, and probes the deepest political and psychological aspects of this epic tale. His account underscores fundamental questions about racial inequality, the rule of law, civil disobedience, and violent resistance to slavery in the antebellum North and South. Both Scott Christianson and Mark Priest will speak briefly at 6pm and will be available for discussion and book signing afterwards. Light refreshments served.

Photo: &#8220The Altruist,&#8221 Mark Priest, 2008, Acrylic on canvas, 7.5’ x 7.5’ – shows Charles Nalle struggling to break free from a mob at the corner of Second and Congress Streets, Troy. Portions of what is today the Russell Sage campus are visible in the background.

Call for Quilts From The Farmers’ Museum

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The Farmers’ Museum in Cooperstown is seeking submissions for its 2010 quilt contest entitled A New York State of Mind. The entries will be exhibited October 16 and 17, 2010 and will be judged by a team of museum professionals and textile experts.

Quilters are welcome to submit an original quilt project that fits one of the three contest categories: New York Beauty Quilts &#8211 quilts based on traditional motifs, styles and construction methods from the 18th- through 20th-centuries- Hometown New York Quilts – quilts that celebrate the hometown of the crafter in original designs- and Carousel Quilts &#8211 quilts drawing on the color and creativity of the carousel tradition.

Category winners will be exhibited in Cooperstown at the Fenimore Art Museum and The Farmers’ Museum as a precursor to a major quilt exhibition that will run from April through December of 2011. Additional prizes will be awarded for audience favorite, judge’s choice, and others.

The Farmers’ Museum and the Fenimore Art Museum have long been associated with collecting and interpreting decorative and utilitarian textiles &#8211 including a large collection of quilts that date back to the 18th century. The Museums’ quilt collection has now grown to several hundred. Contest winners will have their quilts displayed alongside many of these rare works during the 2011 exhibition.

For additional information, a complete list of contest rules, or an entry form, please contact Kajsa Sabatke at The Farmers’ Museum, Box 30, Cooperstown, N.Y. 13326, (607) 547-1453, or via email at [email protected]. Information can also be downloaded from the Museum’s website at www.FarmersMuseum.org. All entries must be postmarked by August 2, 2010. Entry fee: $20.

State Museum Showing Major Stoneware Exhibit

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“It’s a prime example of American folk art, probably one of the best collections of decorated stoneware in the country,” is how John Scherer, Historian Emeritus of the New York State Museum characterized the Weitsman Stoneware Collection. The over 200-piece collection was donated to the museum by Adam J. Weitsman, one of the leading collectors of 18th and 19th Century stoneware.

Forty unique vessels from the collection titled Art for the People: Decorated Stoneware from the Weitsman Collection are currently on exhibit at the Albany museum’s New York Metropolis Gallery. The show was recently extended due to popular demand through the summer of 2010. “We are delighted with this collection. It attracts a lot of visitors to the museum. They are very, very impressed and almost overwhelmed by the quality of the collection,” said Scherer.

The exhibition features decorated stoneware vessels, including jugs, crocks, pitchers, jars and water coolers. The designs are considered premier examples of American folk art. Most were created in New York State and many are “presentation pieces,” oversized and often richly decorated with cobalt blue designs and folk art illustrations. Decoration tools, early pottery related graphics and photography complement the exhibit.

After the exhibition, it will become a permanent part of the New York State Museum. The collection is also the subject of a color, coffee-table format book being published by the museum that will be released this spring. The book is being funded by the generosity of Mr. Weitsman.

“We had a few important pieces of stoneware, but nowhere near the quality that Adam donated. The Weitsman Collection is supreme,” said Scherer.

Adam Weitsman collected his first piece of stoneware in 1980 at age 11 and the experience sparked his passion for the genre. Since then he acquired rare pieces at antique shows, estate sales and auctions. One example was a water cooler decorated with a portrait of a Civil War general and his wife. He purchased it at auction for $88,000 which set a record price for American stoneware at the time.

In 1996, Weitsman donated 100 pieces to the museum to ensure his collection would be preserved. From those and pieces acquired subsequently, 40 were carefully selected for the current exhibition. Most have never been publicly displayed.

Stoneware was vitally important to the development of New York State and its central role in western expansion of the country via the Hudson River, the Erie Canal and its network of feeder canals, and through the Great Lakes to the western river systems. Stoneware was in high demand for storage and preservation for things like drinking water, milk, butter, eggs, beer, ale, whisky, pickles and salted meat. Clay deposits ideal for making stoneware were found in what is now South Amboy, New Jersey, lower Manhattan and eastern Long Island. As a result, New York State became a large stoneware producer.

Potters sprang up along the Hudson River and throughout the New York State canal system making vessels of various shapes and sizes. During kiln firing, salt was applied to vessels that combined with clay silica to create a smooth, lustrous finish. Chocolate brown Albany Slip, named for where the clay was mined, was used to coat the insides of vessels. To identify or decorate the vessel, a painter applied a metallic oxide clay slip that turned a rich blue when fired. Sometimes manganese that turned purplish-brown was used. Simple identification included the makers’ mark and the vessel’s capacity. Elaborate designs and highly creative illustrations such as those found in the Weitsman Collection represent the sublime expression of this folk art period.

Historically significant of examples of stoneware from the Weitsman Collection include:

A Jar made by Paul Cushman of Albany in 1809&#8211Weitsman acquired it from the personal collection of PBS’ Antique Road Show host Leigh Keno.

A Jug created by William Lundy & Co. of Troy, New York in the 1820s that depicts cobalt blue caricature of a merman, a male version of mermaid.

Crocks displaying a prancing zebra and a camel were inspired by the traveling circuses of the era.

A Jug displaying a fisherman with a pole on a lake signed Nathan Clark, Lyons, NY.

A Crock decorated with a Dutch or German-style church with a gambrel roof and round tower and a weather cock, signed W. A. Maquoid, Little West 12th Street, New York City.

A two-gallon crock made by Charles W. Braun of Buffalo around 1870 is decorated with what appears to be a caricature of Buffalo Bill.

A humorous long-necked gooney bird on a six-gallon water cooler made by M. Woodruff of Cortland, New York around 1860. It was acquired from the collection of Donald Shelley, former director of the Henry Ford Museum.

A highly decorated five-gallon water cooler came from the famous George S. McKearin Collection. It was created by Julius and Edward Norton of Bennington, Vermont and shows three types of decoration commonly associated with potters at Bennington, Troy and Fort Edward, New York.

One of the rarest is a six-gallon crock made by Nathan Clark & Co. of Rochester, New York in about 1845. Decorated with the mythical phoenix firebird, it was rendered in such detail that it has a three-dimensional quality.

“I emphasized to Adam how important his collection was and how important it is to New York State. He not only donated it, but also acquires new pieces every year to add to it which is wonderful for us,” Scherer concluded.

While not engaged in collecting stoneware and fine art, Mr. Weitsman is busy with his other passion as President of Upstate Shredding LLC. With numerous locations, Upstate is the largest privately owned metal processing and recycling operation on the East Coast.

Photo: Two-Gallon Jug, (c. 1815) by Israel Seymour (1784-1852) of Troy, New York. The finely incised figure of an American Indian decorates this early ovoid jug. He carries a sword in one hand and a banner with the letter T (for temperance) in the other. Some intricately decorated stoneware pieces commemorate special events and historical figures. The Indian is believed to be Handsome Lake (c. 1734-1815), the Seneca religious prophet who in 1799 began to tell his people to refrain from drinking and doing evil.

NYS Museum Exhibit: George Eastman House Photos

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&#8220Seeing Ourselves: Masterpieces of American Photography from George Eastman House Collection&#8221 opens February 12 at the New York State Museum and will be on view through May 9 in the Museum’s West Gallery. The exhibit will introduce visitors to historical and contemporary photographic masterpieces. Proving the power of photography, more than 155 images and artifacts tell the story of America over the last 150 years.

The photographers range from professionals such as Lewis W. Hine, Dorothea Lange, Matthew Brady and many others, including several who are unidentified. The images capture America and Americans in various ages and stages. They depict grandeur and simplicity, joy and anger, beauty and grit. A limited number of brochures on the exhibition will be available at the gallery entrance.

The exhibition is drawn entirely from the collection of George Eastman House. It is arranged into five sections: “American Masterpieces,” “American Faces,” “America at War,” “America the Beautiful” and “American Families.” Each section addresses key photographic works documenting the American cultural experience.

The “American Masterpieces” section displays photographs that show outstanding artistry, skill or workmanship. They show that American masterpieces cover a broad spectrum of subject, format, and history. Some photographs began as intentional works of art while others began as something else – propaganda, information, aide memoire, or novelty — and only later achieved iconic status. This section will include “The Steerage” by Alfred Stieglitz, “Nautilus” by Edward Weston, and “Yosemite Valley, Summer” by Ansel Adams.

In the “American Faces” section visitors will see photographs of people that have been used to create celebrity, establish identity, and influence our perceptions. Photographers who have captured these American faces include Mathew Brady, Richard Avedon, Alfred Stieglitz, Dorothea Lange, Edward Steichen, Mary Ellen Mark, and Gordon Parks.

The “America at War” section reminds visitors that of all the information that photography brings us, little is more pressing than news about war. Since the beginning of photography, images have defined our understanding of conflict. Images will include “A Harvest of Death, Gettysburg” by Timothy O’Sullivan- David Douglas Duncan’s “Combat, Korea”- “Reaching Out, The DMZ” by Larry Burrows- and “Vietnam Memorial, Washington, DC” by Hiroshi Watanabe.

Timeless photographs that exemplify the beauty and power of nature and an expanding America are included in the “America the Beautiful” section. On display will be William Henry Jackson’s “Mt Sopris, from Junction of Rock Creek,” “Refugio Beach” by Ansel Adams, “Dunes” by Edward Weston and “Desertscape, Death Valley” by Marilyn Bridges.

The “American Families” section explores the role photography can play in helping to put our own family experience into context and define “family” for ourselves. Included are “Tenement Penthouse” by Weegee, “Italian Family, Ellis Island” by Lewis Hine, “East Harlem” by Helen Levitt and “The Damm Family in Their Car” by Mary Ellen Mark.

Forty-minute Interpretive Tours of Seeing Ourselves, and an open discussion focusing on several photographs, will be held at 1 and 2 p.m. on February 13-14, 27-28, March 20-21, April 24-25 and May. 8-9.

A podcast is available at http://podcast.eastmanhouse.org/discussing-seeing-ourselves/.


Photo: Powerhouse Mechanic, 1920, by Lewis W. Hine. Courtesy George Eastman House.

Brooklyn Museum To Host Major Andy Warhol Exhibit

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Andy Warhol: The Last Decade is the title of a major touring exhibition that will run June 18 to September 12, 2010 at the Brooklyn Museum (Robert E. Blum Gallery, 1st floor, and Morris A. and Meyer Schapiro Wing, 5th floor). The exhibit is the first U.S. museum survey to examine the late works of American artist Andy Warhol (1928–1987). With nearly fifty works, the exhibition reveals the artist’s vitality, energy, and renewed spirit of experimentation. During this time Warhol produced more works, in a considerable number of series and on a vastly larger scale, than at any other point in his forty-year career.

It was a decade of great artistic development for Warhol, during which a dramatic transformation of his style took place alongside the introduction of new techniques. He continued to create his screen-printed portraits, but he also reengaged with
painting. In the late 1970s, Warhol developed a new interest in abstraction, first with his Oxidations and Shadows series, and later with his Yarn, Rorschach, and Camouflage paintings. His return to the hand-painted image in the 1980s was inspired by collaborations with Jean-Michel Basquiat, Francesco Clemente, and Keith Haring.
The exhibition concludes with Warhol’s variations on Leonardo da Vinci’s The Last Supper, one of the largest series of his career. Andy Warhol: The Last Decade provides an important framework for understanding Warhol’s work by looking at how he simultaneously incorporated the screened image and pursued a reinvention of
painting.

The exhibit is being organized by the Milwaukee Art Museum. The exhibition was
curated by Joseph D. Ketner II, Henry and Lois Foster Chair of Contemporary Art, Emerson College, Boston. The Brooklyn Museum presentation is organized by Sharon Matt Atkins, Associate Curator of Exhibitions, Brooklyn Museum.

A catalogue published by Prestel accompanies this exhibition.

Tour: Milwaukee Art Museum, September 26, 2009–January 3, 2010- Museum of Modern Art, Fort Worth, February 14–May 16, 2010- Baltimore Museum of Art, October 17, 2010–January 9, 2011.

Photo: Andy Warhol at the Jimmy Carter White House during a reception for inaugural portfolio artists in 1977. Courtesy the National Archives.

Moving Bricks on the Hudson Gallery Tour

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On the closing day of the exhibit, Sunday, Jan. 31, 2010, at 2 pm and at 3 pm curator T. Robins Brown will lead a gallery tour of Moving Bricks on the Hudson, the Haverstraw Brick Museum’s Hudson Fulton Champlain Quadricentennial exhibit. The show highlights the sloops, schooners, towboats, tugs and barges that transported bricks on the Hudson in the 19th and early 20th centuries.

Visitors will discover the stories of the captains, crew, and boat builders that were part of the maritime enterprise that carried up to 1,000,000,000 (yes, billion) bricks annually. The exhibit brings together for the first fascinating illustrations and items donated or loaned to the museum by descendants of brick boatmen and from other individuals and museums including the Mariners’ Museum in Newport News, Virginia, the Peabody Essex Institute in Salem, Massachusetts, the Hudson River Maritime Museum in Kingston, and the Historical Society of Rockland County.

A slide show documents the dangers of transporting brick by water. A short film of 1903 gives viewers a speedy trip on the Hudson River from Haverstraw to Newburgh. A unique three-foot model of a barge with cutouts on loan from the Reynolds Shipyard Corp. allows visitors to inspect the structural system used to carry the very heavy brick cargo.

Through Jan. 31 the exhibit is open during the museum’s regular hours, Wed., Sat., and Sun, 1-4 pm. Children are welcome. A gallery guide for children encourages them to find fascinating items in the exhibit and they can also build a “tow” with model boats.

Photo: On Minisceongo Creek, a “bricker,” a brick-carrying schooner, awaits its cargo of bricks from the Shankey brickyard. On board are brickyard workers as well as the brick boat’s crew. The two women, the wives of the captain and first mate, were likely part of the boat’s crew. They lived aboard and cooked, watched tides, pumped bilge water, and performed other tasks that required less strength. Photograph from de Noyelles, Within These Gates.

Hyde Collection Announces 2010 Exhibition Schedule

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The Hyde Collection in Glens Falls has announced its 2010 Exhibition Schedule. This year’s schedule includes American Impressionist landscape paintings, twentieth-century Modern art, a regional juried high school art show, a major exhibition of the work of Andrew Wyeth, and the museum will also play host for the first time to the long-running Artists of the Mohawk-Hudson Region, an annual juried show founded in 1936. The complete schedule from the Hyde Collection announcement is below.

Through Sunday, March 28, 2010
An Enduring Legacy:
American Impressionist Landscape Paintings from the Thomas Clark Collection

This exhibition presents sixty-four paintings from the private collection of Saratoga
County, New York resident Thomas Clark. For twenty years, Clark has been amassing a significant group of pre-1940 American Impressionist landscape paintings with more than 100 works in the collection. Considered one of the finest private collections of this genre in upstate New York, it is testament to the enduring legacy of Impressionist painting in American art.

The collection, on public display for the first time, comprises examples from the last
great generation of landscape painters who emerged during, and in the aftermath of, the American Impressionist movement (1880-1920). Many of these artists were students and/or sketching partners of the seminal figures in Impressionism in America, such as William Merritt Chase and John Henry Twachtman. The Collection offers a comprehensive treatment of the regional schools of Impressionist activity in America. Forty-seven artists are featured in the exhibition, including Walter Emerson Baum, John Joseph Enneking, Emile A. Gruppe, Hayley Lever, Frederick Mulhaupt, George Loftus Noyes, and Harry A. Vincent. The exhibition is curated by Erin Coe, chief curator and deputy director of The Hyde Collection and is accompanied by an illustrated catalogue. Clark has announced his intention to make a future donation of his remarkable collection to The Hyde where it will greatly enhance the Museum’s current holdings of American art.

Through February 28, 2010
Divided by a common language?
British and American Works from the Murray Collection

Approximately twenty works of twentieth-century Modern art, donated to the Museum by the late Jane Murray, are on display in Hoopes Gallery. Works included in this exhibition were part of the first significant donation of twentieth-century art received by The Hyde and helped to form the foundation of the Museum’s Modernist holdings. Jane Murray passed away in April 2009 and bequeathed the remainder of her substantial collection to the Museum.

Curated by The Hyde’s Executive Director David F. Setford, the exhibition reflects one woman’s journey into the world of art and the creative process itself. Represented in the exhibition are British artists including Ben Nicholson, Barbara Hepworth, John Piper, Howard Hodgkin, and Paul Mount. American artists include Gregory Amenoff, American, b. 1948, Gregory Amenoff, Betty Parsons, Stuart Davis, and Ellsworth Kelly. The works selected examine the similarities and differences between American and British works of the period, as both are areas of particular strength in the Murray
Murray Collection.

April 11 through May 23
Nineteenth Regional Juried High School Art Show

The Hyde proudly hosts one hundred works in various media by the best of area high
school art students. Entries into the competition average approximately 1,200 per year
and the top 100 works were chosen by jurors to be highlighted in this annual spring event, showcased in the Museum’s Charles R. Wood Gallery.

This unique show allows participating students to experience the preparation, submission, and jurying process crucial to their artistic development. The young artists entering the competition hail from as many as forty area schools located in Warren, Washington, Saratoga, Hamilton, and Essex counties.

June 12 through September 5
Andrew Wyeth: An American Legend

The Hyde Collection introduces the broad span of work by Andrew Wyeth in its major summer exhibition for 2010. Organized by The Hyde and curated by Executive Director David F. Setford and Deputy Director and Chief Curator Erin B. Coe in association with the Farnsworth Art Museum of Rockland, Maine, the exhibition will mark the first opportunity since the artist’s death in 2009 to begin to critically reevaluate his contribution to and position in American art of the twentieth century. Works will include pencil, watercolor, dry brush, and tempera works, and will feature sections devoted to early coastal watercolors and landscape paintings, as well as a look at Wyeth’s models, his interest in vernacular architecture, and his connection
with the Regionalist tradition and Magic Realism.

The exhibition will feature approximately fifty works, with the core from the Farnsworth Art Museum. Also on view will be The Hyde’s own Wyeth – The Ledge and the Island, 1937 – and major works from Philadelphia Museum of Art, the Whitney Museum of American Art, and the Hood Museum of Art, as well as from other museums and private collections.

The Museum continues its summer collaborations with other arts organizations in the region by coordinating a series of lectures, exhibitions, and performances with Wyeth-related themes.

October 10 through December 12
Exhibition by Artists of the Mohawk-Hudson Region

For the first time, The Hyde Collection is host of the Artists of the Mohawk-Hudson Region, one of the longest-running collaborative juried exhibitions in the country. The Museum joins the Albany Institute of History and Art and the University Art Museum at the University at Albany as the third collaborative sponsor of the exhibition, which is hosted by the organizations on a rotating basis. Founded in 1936, this annual show provides a leading benchmark for contemporary art in the Upper Hudson Valley. The exhibition is open to artists residing within a 100-mile radius of either Glens Falls or the Capital District. Past jurors have included artists, curators, critics, art historians, and art dealers such as Edward Hopper (1941), George Rickey (1971), Kenneth Noland (1977), Wolf Kahn (1980), Grace Gluck (1984), Dan Cameron (1997), and Ivan Karp (2005).

For the 2010 exhibition, The Hyde has invited Charles Desmarais, the Deputy Director of Art at the Brooklyn Museum, to be the guest juror. Mr. Desmarais leads the Brooklyn Museum’s collection, conservation, education, exhibition, and library departments.

Photo: George Loftus Noyes, American, 1864-1954, River Reflections, Evening ca. 1900, Oil on canvas on artist’s board, 9 7/8 x 11 in., Promised gift of Thomas Clark to The Hyde Collection, Glens Falls, NY.

Exhibit: The Brooklyn Sanitary Fair of 1864

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&#8220Healing the Wounds of War: The Brooklyn Sanitary Fair of 1864&#8243- is the title of an exhibition that will run January 29th to October 17th at the Brooklyn Museum (Elizabeth A. Sackler Center for Feminist Art, Herstory Gallery, 4th floor). The exhibit will present a selection of artworks and historical objects celebrating the contributions of women to the mid-nineteenth-century Sanitary Movement, which organized Sanitary Fairs in major cities in the Northeast to raise money for the Civil War effort. Although the U.S. Sanitary Commission was headed by men, most of its work was accomplished by thousands of women volunteers. In Brooklyn, women’s organizations orchestrated the hugely successful Brooklyn and Long Island Sanitary Fair.

Highlights of the exhibition include a rare doll made by a young woman named Eliza Lefferts and sold at the Brooklyn Sanitary Fair in 1864- engravings created by Winslow Homer- and the rare book History of the Brooklyn and Long Island Fair, February 22, 1864. The Herstory Gallery is dedicated to exhibitions that elaborate on the lives and
histories of the 1,038 women who are named in Judy Chicago’s The Dinner Party, installed permanently in the adjacent gallery. Represented on The Dinner Party table is Dr. Elizabeth Blackwell, the country’s first female physician and a dedicated pioneer of the Sanitary Movement.

The exhibition has been organized by Catherine Morris, Curator of the Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum.

Photo: &#8220Brooklyn Sanitary Fair, 1864. View of the Academy of Music as seen from the stage.&#8221 Brooklyn Public Library. Brooklyn Collection.