This Weeks Top New York History News

Each Friday morning New York History compiles for our readers the previous week’s top stories about New York’s state and local history. You can find all our weekly news round-ups here.

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War of 1812 Bicentennial Event in Prescott, Ontario

The War of 1812 bicentennial is a big deal in Canada, and our neighbors in Prescott, Ontario, will kick off their commemorations May 19-21 at Fort Wellington.

In the spirit of international cooperation members of the Fort La Presentation Association and Forsyth’s Rifles will be there to support the Garrison Weekend Re-enactment.

“In the community of War of 1812 re-enactors, there has been a cross-border exchange for nearly 20 years,” said Forsyth’s Vice President Tim Cryderman. “We look forward to re-enacting battles on the Canadian side to mark 200 years of friendship.”

Re-enactors from Canada and the United States portraying British and American soldiers will set up separate camps on the fort grounds. Civilian heritage interpreters will have their own demonstration area.

“I am really looking forward to exploring the new Fort Wellington Interpretation Center,” said Barbara O’Keefe, President of the Fort Association. “We plan to build a similar structure on Lighthouse Point, so I want to take in as much information and as many ideas as I can during my visit.”

The remains of the 1812-era gunboat Radcliffe are the centerpiece of the new interpretive center. Mr. Gord Brown, Member of Parliament for Leeds-Grenville, will officially open the interpretive center at 1 p.m. Saturday, May 19.

The weekend promises a number of activities: soldiers living in the blockhouse barracks- historic weapons demonstrations- battle re-enactments- and Saturday beginning at dusk, a fiery artillery demonstration followed by spectacular fireworks.

The three-day event will be the biggest celebration in Prescott since the town’s own bicentennial events in 2010.

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Bungalows of Rockaway: Film Screening, Discussion

The Historic Districts Council (HDC) will show the 2010 documentary film, “The Bungalows of Rockaway,” produced by Jennifer Callahan and Elizabeth Logan Harris follwed by a panel discussion.The film highlights the rich history of the Rockaway bungalows. Although of the more than 7,000 bungalows dotting the peninsula in 1933, fewer than 500 remain today. The documentary, narrated by Estelle Parsons, features rare archival footage, maps, and interviews with historians, prominent New Yorkers, and several of the longtime residents and vacationers.
In 2012, HDC named the Far Rockaway Beach Bungalows to its Six to Celebrate list, six historic New York City neighborhoods that merit preservation as priorities for HDC’s advocacy and consultation over a yearlong period. HDC is working with the Beachside Bungalow Preservation Association to get the remaining bungalows of Beach 24th, 25th and 26th Streets on the State and National Registers of Historic Places and to raise awareness about this irreplaceable part of New York City’s history.

The screening will be followed by a “Q & A” session and discussion with Richard George, executive director of the Beachside Bungalow Preservation Association- Nancy Solomon, director of Long Island Traditions and author of the National Register nomination- David Selig, owner of Rockaway Taco- Jeanne DuPont of Rockaway Waterfront Alliance, andthe filmmakers. The program will be moderated by journalist Eve M. Kahn.

The event will be held on Monday, June 11, at 6:30 pm at Anthology Film Archives, 32 Second Avenue at East 2nd Street, Manhattan.  Fees: $10 for the general public, $5 for Friends of HDC, seniors and students. Advance reservations are required. Tickets can beordered via Paypal through hdc.org or by calling 212-614-9107. A limited number of complimentary tickets will be available to Far Rockaway residents. Please contact [email protected] for more information.

Photo courtesy Historic Districts Council.

Champlain Bridge Grand Celebration This Weekend

New York Vermont Bridge OrganizationAfter many months of planning the Lake Champlain Bridge Community (LCBC) will host its two-day Grand Celebration which celebrates the re-opening of the Lake Champlain Bridge and the re-connected New York and Vermont communities that surround it. The bridge re-opened to traffic on November 7, 2011, but the celebration was postponed until now.

The Grand Celebration will take place on Saturday and Sunday, May 19 and 20. Saturday’s events begin at 9 a.m. with an opening ceremony and end at approximately 10 p.m. after a street dance. Sunday’s events begin at 6 a.m. with a sunrise ecumenical service and close with a fireworks show at dusk. All events will take place at or near the Chimney Point State Historic Site, Addison, Vermont and the Crown Point State Historic Site, Crown Point, New York. All of the weekend’s events are free and will take place rain or shine.

Lorraine Franklin, co-chair of LCBC, said  &#8220It’s taken more than a year of planning and hard work by hundreds of dedicated people, and we hope to have an event unlike any other seen in this area.&#8221

A schedule of events is available at LCBC’s website. A more detailed schedule, including times of musical and entertainment performances, will be available in the official event program. The program, published by The Addison Independent, will be for sale in advance and during the celebration weekend at a cost of $3/each. Proceeds from program sales will help defray the cost of the event.

Saturday’s Highlights

The weekend kicks off with an opening ceremony at 9 a.m. at Crown Point State Historic Site (NY). Theodore (Ted) Zoli, PE, National Director of Long-Span Bridges for HNTB Corporation is the bridge’s designer and will be the keynote speaker. Several other dignitaries and representatives from federal, state and local governments and agencies will be in attendance and available for a meet & greet with the public immediately after the ceremony.

Two of the weekend’s highlights are parades—one across the Lake Champlain Bridge and one underneath it on the water. The Old Time Hometown Grand Parade (pedestrians and autos) will begin at 11 a.m. on Saturday and move from Vermont to New York. The bridge will be closed to traffic during this time—approximately 60 to 90 minutes. There are currently more than 120 parade participants and some examples of the types of floats attendees will see include the original float that was in the parade that celebrated the 1929 opening as well as floats provided by the Vermont Historic Sites consisting of Chimney Point, Mount Independence w/ Fife & Drum Corp, Hubbardton Battlefield, Old Constitution House, Bennington Battle Monument and the Vermont State House. Total entrants into the parade are approximately 120 floats and vehicles.

Attendees will see many vintage vehicles in the parade—some dating from 1929 when the first Lake Champlain Bridge was opened and dedicated. Riding in the cars will be several guests who were present at the 1929 opening. These people have been dubbed “the 29ers”, and organizers expect more than 25 of them will participate in the 2012 celebration. A private reception for the 29ers is planned during the weekend to honor their attendance at both events.

Featuring many types of vessels, and led by the Lake Champlain Maritime Museum’s schooner Lois McClure, there will be a boat flotilla that travels underneath the bridge. Formation will start at 12:30 p.m. and the flotilla will begin under the bridge at 1 p.m. on Saturday. The direction of boat traffic (north to south/south to north) will depend on prevailing winds. There is detailed information on joining the flotilla on LCBC’s website under the Celebration Events section.

Saturday’s activities will close with a street dance featuring Rick and the Ramblers. The dance will begin at 7 p.m. at the Crown Point State Historic Site (NY) and will be preceded by a dance across the bridge starting from Vermont’s Chimney Point State Historic Site at 6:30 p.m.

Sunday’s Highlights

Sunday’s activities begin with a sunrise ecumenical service, beginning at 6 a.m. Services are on either side of the Lake Champlain Bridge and all will join at the center of the after the ceremony in a symbol of reunification.

At 3 p.m. on Sunday there will be a 5 kilometer fun run that starts and finishes at the Crown Point State Historic Site (NY) and includes a historic run over the new bridge. More details can be found at La Chute Road Runners’ website.

The weekend’s events will wrap up with a closing ceremony at the Chimney Point State Historic Site (VT) featuring Carol Reed of the French Canadian group Va et Vient and the Lake Champlain Waldorf School Dancers.

At dusk (approximately 8:30 p.m.) is the grand finale—the Lights on the Lake Fireworks Spectacular. The fireworks show is provided by Alonzo Fireworks based in Albany, NY and will be simulcast by WVTK 92.1. The firework’s soundtrack is provided by UNIR1 Network. In order to hear the music soundtrack accompanying the fireworks, attendees must have FM radio reception—MP3 players, boom box, or car radio. iPhones will have a few seconds’ delay in reception.

Both Saturday and Sunday

There are more than 50 crafters, food vendors, and non-profit agencies that will be exhibiting, educating and selling their products and services. Crafter and vendor booths will be set up underneath large tents on both sides of Lake Champlain. Food vendors will be located at The Bridge Restaurant on the Vermont side, and a wine tasting tent is located at Cottonwood on Lake Champlain, a Victorian house located at the foot of the bridge on the Vermont side, across the road from Chimney Point State Park. A complete list of crafters and vendors can be found on LCBC’s website, under Celebration Events, or in the official event program. Booths are open from 10 a.m. to 6 p.m. both days.

Throughout the weekend there is a non-stop line up of performers, musicians and dancers. Performances will be held at both state historic sites and a detailed schedule will be available in the official event program.

A vintage car show will be held both days at the Crown Point State Historic Site (NY). The show will be open 1 to 5 p.m. on Saturday and 11 a.m. to 4 p.m. on Sunday. Hosted by the Vermont Automobile Enthusiasts, there will be as many as 50 cars participating—including, but not limited to the vintage vehicles that participated in Saturday’s parade across the bridge.

After a two year closure to accommodate the construction of the water ferries and bridge, the Chimney Point Historic Site (VT) re-opens the weekend of May 19-20th as well. There are many activities planned on both days to bring to life the 9,000 year history of Chimney Point and the bridge project archeological findings. Enjoy a living history encampment, from the Native Americans to the French period and the Revolution, demonstrations of early skills such as stone tool making and spinning, spinning, historic boat replicas on Saturday, and a variety of children’s activities. See the new exhibit with highlights of the archeological discoveries, from the earliest years of Native American presence to the 1731 French fort and 1790s redware pottery.

Parking Information

The parking area will be at the Crown Point (NY) State Historic Site. There will be two shuttle buses that will run continuously during event hours from the New York parking lot, to the New York waterfront, and to the ferry landing in Vermont.

Boat Launch Information

Below is a list of the boat launches available during the weekend.

Public:

· McCuen Slang, Rte. 125, Addison, VT

· Port Henry Boat Launch, Port Henry, NY

· NYSDEC Boat Launch, Ticonderoga, NY

Private:

· Van Slooten Marina, Port Henry, NY

· Champlain Bridge Marina, West Addison, VT

Boat launches at Chimney Point State Historic Site, VT and Crown Point State Reservation Campground, NY will be closed during the weekend

Online Auction

An online auction is being held in conjunction with the event. More than 20 items have been donated by local businesses and artists. Proceeds from the auction will help underwrite the cost of the weekend’s activities. Items can be viewed and bid on at www.biddingforgood.com/accoc. The auction closes at midnight on May 15th.

Commemorative T-shirt

There is an official limited edition LCBC Grand Celebration commemorative T-shirt that’s being sold only during the celebration weekend. The shirt was designed and manufactured by East Coast Printers. The all-over design is dyed into the fabric and features renderings and opening dates of both the old and new bridge. Selling price is $20, with all profits helping to fund the celebration. Adult sizes only.

About the Lake Champlain Bridge Community

Members of the Lake Champlain Bridge Community include area residents, representatives from local business, historical sites, local governments, and chambers of commerce. The Community can be found on the web at www.champlainbridgecommunity.org.

Teaching NY Social Studies: A Modest Proposal

What do we need to do so when we pass the torch to next generation it is ready to grab it? With the upcoming vote by the New York State Regents on the social studies requirements for a high school diploma and the ongoing issue of the Common Core Curriculum with its lack of citizenship as a goal and probable minimizing of local history, I thought I would take this opportunity to issue my own modest proposal on what should be done. Read more

New Yorks Jehudi Ashmun, Founder of Liberia

Thursday, April 21, marked the birthday of one of the most famous men you never heard of, and surely the least known of all North Country figures who once graced the world stage. It is also appropriate to recall his story at this time for two other reasons. It has ties to slavery and the Civil War as we mark the 150th anniversary of America’s darkest period. And, in relation to recent world news, it involves fighting for change in Africa.

If you’re well familiar with the work of Jehudi Ashmun, you’re in a very small minority. Even in his hometown, little has been done to mark his achievements other than a single roadside historical marker. And yet, if you look, you’ll find him in dozens of encyclopedias and reference books as an important part of African and Liberian history.

Jehudi Ashmun was born in Champlain, a small village in the northeastern corner of New York State, just a mile from the Canadian border. Early on, he proved capable of advanced learning, and after schooling in Champlain, he attended Middlebury College in Vermont at the age of 16, preparing for life as a Christian minister.

Ill health, a problem throughout his life, found Jehudi back home in Champlain during the War of 1812. On healthier days, despite his young age, he preached in the local church and organized a military company to protect the village from British attackers threatening from Canada.

After returning to schooling at Middlebury, he entered the University of Vermont. Graduating from UVM in August, 1816, Ashmun gave the salutatory address and presented “An English Oration upon the Philosophy of the Mind.”

Jehudi soon found employment as school principal and Professor of Classical Literature at the Maine Charity School, one of the first educational societies in the country. Guided by a strong Christian belief, he published extensively, including sermons, lectures, and essays.

Ashmun’s opinionated persona was not always well received, and six months after marrying Catherine Gray in October 1818, he resigned from the school and moved to Washington, D.C. There, he linked with the Episcopal Church for three years, studying religion, continuing to publish, and becoming alarmingly aware of the plight of slaves in nearby Virginia.

Christian doctrine deplored slavery, and the more Ashmun (a white northerner) learned, the more he felt compelled to act. He became an active participant in the American Colonization Society (ACS), a group that many supported with the best of intentions, but an organization that attracted a pro-slavery element as well.

To understand that dichotomy, it is necessary to at least somewhat grasp the situation in America around 1820. As a young nation proudly touting “all men are created equal,” the US was embarrassed by other countries pointing out in newspaper editorials the great hypocrisy of allowing slavery to exist for any reason within America’s borders.

By 1808, the importation of slaves had been strictly forbidden by federal law, but some southern states claimed the feds had overstepped their bounds. Still, a very powerful anti-slavery movement existed in America. The problem was—what constituted a solution?

Groups like the American Colonization Society faced an unusual number of arguments for and against their efforts. Many leaders, both black and white, believed all citizens should remain in the US and battle for full equal rights for all. Others, including many black leaders, felt that blacks would never be treated justly or be free of discrimination in America, and thus favored the establishment of a colony where they could flourish.

Some said that promoting colonization was simply a cover for the goal of ridding America of blacks. Others saw great promise in black colonists succeeding, and helping to spread the Christian faith across Africa. Many slave owners supported the society because they feared that freed blacks would urge those in slavery to rise together in rebellion. By sending them to colonies, the owners were removing rabble-rousers from their midst.

At the time, the idea of going to Africa did seem sensible to some blacks since that was their place of origin. However, by that time, many had been in America long enough to have children born here and had established roots. A great number preferred to stay in the US and face the devil they knew, rather than the uncertainties of life (the devil they didn’t know) in Africa.

At various times, plans were made for colonies in Canada, Mexico, Africa, the Caribbean, and in several Central American countries. Finally, a real effort to settle on Africa’s west coast was tried, but it failed. Another similar attempt was made within two years.

The second opportunity arose when the Georgia state legislature authorized its governor to sell about 40 slaves who had been brought to the state illegally. Money from the sale was destined for state coffers, but by law, before selling the slaves, the state had to allow anyone the opportunity to purchase freedom for the slaves or assume the expense of taking them to a colony.

In stepped the ACS, and it was 18 of those slaves who formed the bulk of the colonization effort in Africa. The leader of the expedition was Jehudi Ashmun, who avoided many debts by leaving the country, but whose devotion to the cause was beyond reproach. He also saw the opportunity to establish trade and perhaps find a way to pay his own financial commitments.

Throughout his life, Ashmun had been a deep thinker and an activist, but was frequently beset with periods of strong self-doubt. With that in mind, it’s hard to imagine his thoughts when, arriving on Africa’s west coast on August 9, 1822, he found wretched living conditions and violent conflicts involving several regional tribes.

Adjacent to the British colony of Sierra Leone, he gained permission to land and establish a community. He managed interactions and informal agreements with several local tribes, but it soon became clear that they intended to set upon Ashmun’s group and destroy them.

Jehudi’s settlers were suffering badly from illness, and were certainly in no condition to defend themselves. Their position on the peninsula of Cape Montserado provided at least some natural protection, but their sickness was disabling, and the meager rations they shared were barely enough to sustain life. The future looked bleak for this fledgling enterprise.

Ashmun himself seemed near death at times, but feared more for his wife, who was dreadfully ill. She finally succumbed on September 15, barely a month after their arrival from America. Jehudi was devastated. There was great doubt that he could survive and carry on the mission.

Next week?the conclusion: A battle for the ages &#8230- twice! and one of the greatest all-time underdog stories.

Photos?Top: Jehudi Ashmun, native of Champlain, New York. Bottom: Ashmun’s Liberian settlement at Cape Montserado.

The Jehudi Ashmun story is one of 51 original North Country history pieces appearing in Adirondack Gold: 50+ New & True Stories You’re Sure to Love (352 pp.), a recent release by author Lawrence Gooley, owner of Bloated Toe Publishing.

Place-Based Education Resource Fair Wednesday

Teaching the Hudson Valley (THV) invites teachers, 4H and scout leaders, home schoolers, PTA activists, and others working with children and teens to drop in for a free place-based education resource fair between 2:30 and 5:30 p.m., Wednesday, May 16, at the Wallace Education & Visitor Center on the grounds of the FDR Home and Presidential Library in Hyde Park.

Many educators are familiar with field trips offered by local museums, historical societies and sites, parks, and environmental groups in our region. Fewer are aware of the artifacts and primary sources, staff expertise, traveling trunks, in-school programs, and other resources sites are eager to share. The fair is designed to give educators from sites in the mid-Hudson area an opportunity to talk with teachers and youth group leaders one-on one and describe what they have to offer. At the same time, teachers and others will be able to explain what would be helpful to their students and programs.

Light refreshments will be served and drawings will be held for items ranging from private tours of area historic sites to books and water bottles. While the event is free, interested parties are asked to RSVP to [email protected] or 845-229-9116, ext. 2035, with their names and schools or organizations. Pre-registration is required to be entered into the drawings.

Lakes to Locks Passage Summer Travel Suggestions

Over 600 local travel suggestions have been submitted to the Lakes to Locks Passage website, just in time for the summer travel season. The site, which is co-branded with National Geographic, emphasizes travel and tourism opportunities that are submitted by local residents and locally-owned business owners.

A national advertising and marketing campaign is currently underway to promote the Lakes to Locks Passage, which stretches from Albany to Quebec, along the interconnected waterway of the Hudson River, Champlain Canal, Lake George and Lake Champlain and includes Albany, Rensselaer, Saratoga, Washington, Warren, Essex and Clinton Counties. The site is built on the principles of Geotourism, which is defined as tourism that contributes to the economic health of communities by enhancing the geographical character of a place – its environment, culture, aesthetics, heritage and well-being of its residents.

The site is as appealing to visitors as it is to people that live within the Lakes to Locks Passage according to Executive Director Janet Kennedy, who says “This website shines a spotlight on the region’s hidden gems, those places that provide local character to a destination. It is exciting to see the local commitment to delivering a distinctive travel experience.”

Lakes to Locks Passage is a New York and Federally designated byway, dedicated to stewardship of the natural, cultural, recreational and historic resources along the waterway. The collaboration with National Geographic unifies the region as a single destination, where users can pinpoint places of interest on a map and then learn about what the region offers in terms of nature, history, special events and outdoor experiences.

Brooklyn Museum Acquires Rare Folding Screen

An extremely rare mother-of-pearl-inlaid Mexican folding screen, commissioned about 1700 by the viceroy of New Spain has been purchased by the Brooklyn Museum from Salvart Limited in London.

The work was officially accessioned by the Museum’s Board of Trustees on April 19. Representing a combination of Asian, European, and American artistic traditions, this six-panel screen is encrusted with mother-of-pearl and painted with oil and tempera.


At the time it was acquired, it was the only recorded surviving shell-inlaid folding screen, or biombo enconchado, that remained in private hands. The funds for this acquisition came from the proceeds of the sale of Vasily Vereshchagin’s Crucifixion by the Romans (1887), which was sold last November at Christie’s London for nearly $2.7 million to benefit the Brooklyn Museum’s Acquisition’s Fund.

These panels constitute half of a twelve-panel screen, created after Asian models by artists working in the circle of the celebrated Gonzalez family in Mexico City, where it was displayed in the state rooms of the capital’s viceregal palace. The other half of the screen is in the collection of the Museo Nacional del Virreinato in Tepotzotlan, Mexico. The complete screen was commissioned by Jose Sarmiento de Valladares y Aines, the count of Moctezuma y Tula, during his reign as viceroy of New Spain from 1696 to 1701. Appointed by Spain’s last Habsburg king, Charles II, Sarmiento declared his allegiance to the Habsburg dynasty in the New World by having the front of his monumental folding screen painted with a major Habsburg victory over the Ottoman Empire, a scene from the Great Turkish War (1683-87). He requested a hunting scene modeled in part after prints by the Medici court painter Johannes Stradanus for the back of the screen, which would have served as a backdrop for the women’s sitting room in the palace. Both sides of the screen are framed with a mother-of-pearl encrusted floral decorative border inspired by Japanese lacquerware created for the export market.

In 1701, only one year after Spain’s new Bourbon king, Philip V, had ascended to the throne, Sarmiento, a Habsburg-appointed viceroy, was recalled to Spain- he returned with his prized biombo enconchado in tow. The screen was later divided into two in Europe, and one half found its way to the United States by 1965, when it was recorded in a private collection in San Francisco- it entered the Museo Nacional del Virreinato by 1970. The Brooklyn Museum’s half of the screen was in England (Yoxford, Suffolk) for generations, in the collection of Cockfield Hall, until the family sold its residual contents, including the screen, at auction through Phillips East Anglia in 1996.

Japanese folding screens, which inspired the format of Mexican biombos, were introduced to the Americas in the early seventeenth century as both diplomatic gifts from Japanese embassies and as elite Asian exported goods. Asian screens found immediate favor with the viceroyalty’s prosperous elite, and by the 1630s local artists were re-creating the screens in a new world style for privileged private collectors. Paintings inlaid with mother-of-pearl (pinturas enconchadas), of which this work is also an exceptional example, developed later, about 1660, by Mexican artists who combined the European art of tempera and oil painting with Asian and Mexican lacquer and mother-of-pearl encrustation techniques.

This extraordinary six-panel screen will be the highlight of Behind Closed Doors: Power and Privilege in the Spanish American Home, 1492-1898, a traveling exhibition organized by Richard Aste, Curator of European Art at the Brooklyn Museum, where it will be on view September 20, 2013, through January 12, 2014, before continuing on to three additional U.S. venues.

Also accessioned at the same board meeting and purchased with funds from the sale of the Vereshchagin painting is Hacienda La Fortuna (1885), an Impressionist landscape of southern Puerto Rico by Francisco M. Oller (Puerto Rican, 1833-1917). As the most important Puerto Rican painter of his era, Oller was commissioned by the Barcelona emigre Jose Gallart Forgas to paint a series of portraits of his five Puerto Rican sugar plantations. The Museum’s new acquisition is an early morning view of Gallart’s most important plantation, La Fortuna, with rural workers gathering sugarcane before the planter’s home (seen in the distance), his warehouse at left, and his sugar mill at right. Hacienda La Fortuna was the only one of Gallart’s five hacienda painting commissions that Oller completed for his Spanish patron.

Oller was born and raised in San Juan but trained in Madrid and Paris, where he quickly fell under the spell of the Realist painter Gustave Courbet and painted with his friends Paul Cezanne and Camille Pissarro. The Puerto Rican Realist and Impressionist painter exhibited at several of the Paris Salons and at the 1875 Salon des Refuses. Back home, Oller took an active role in the abolitionist movement&#8211slavery was finally abolished in Puerto Rico in 1873&#8211and in pedagogy, establishing several art schools in the island’s capital.

Beginning June 6, Oller’s masterpiece of Puerto Rican industrial landscape painting will be on view in the Museum’s European gallery alongside paintings by his fellow avant-garde artists Courbet, Pissarro, and Claude Monet. Hacienda La Fortuna will later join the shell-inlaid Mexican folding screen in the Behind Closed Doors exhibition.

Image: Circle of the Gonzalez Family (Mexican, late 17th to early 18th century). Folding Screen with the Siege of Belgrade (front) and Hunting Scene (reverse), ca. 1697-1701. Tempera and resin on wood, shell inlay (enconchado), 90 1/2 x 108 5/8 in. (229.9 x 275.8 cm). Brooklyn Museum, Gift of Lilla Brown in memory of her husband John W. Brown, by exchange, 2012.21

This Weeks New York History Web Highlights

Each Friday afternoon New York History compiles for our readers the previous week’s top weblinks about New York’s state and local history. You can find all our weekly round-ups here.

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