This Weeks New York History Web Highlights

Each Friday afternoon New York History compiles for our readers the previous week’s top weblinks about New York’s state and local history. You can find all our weekly round-ups here.

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This Weeks Top New York History News

  • US Historian Paul Boyer Dies
  • John Brown Day Draws Crowd
  • bin Ladin Papers Going Online
  • Residents: Save Historic Watervliet Church
  • Group Promotes War of 1812 Walks
  • NEH Awards $17 Million in Grants
  • Navy Historical Programs &#8216-At Risk’
  • AHA Director Testifies on NEH Budget
  • Genealogy Sites to Merge
  • Restored Poe Cottage Wins Preservation Award
  • Each Friday morning New York History compiles for our readers the previous week’s top stories about New York’s state and local history. You can find all our weekly news round-ups here.

    Subscribe! More than 2,800 people get New York History each day via E-mail, RSS, or Twitter or Facebook updates.

    Ulster County: Lake Minnewaska State Park

    Minnewaska State Park Preserve has become a popular destination for hikers, bikers, and nature lovers. It is crisscrossed with acres of pristine views, carriage trails, and hiking trails. Many people visiting there do not realize that it once was the site of two spectacular mountain houses that sat perched on the cliffs overlooking Lake Minnewaska. They were named Wildmere and Cliff House. Read more

    Iroquois Indian Museum Opens With New Exhibit

    The Iroquois Indian Museum has opened for its 2012 season with a new exhibit, &#8220Birds and Beasts in Beads: 150 Years of Iroquois Beadwork.&#8221 The exhibit features more than 200 beaded objects, largely from the collection of beadwork scholar, retired archeologist and Museum trustee, Dolores Elliott. A Spring Party to Celebrate the Opening from 3-5 p.m. on Saturday, May 5


    A great number of animal images appear in Iroquois beadwork including pets, forest wildlife, farm animals, and exotic beasts. The exhibition highlights these animals that appear on varied beaded household items such as purses, pincushions, wall pockets and picture frames made popular during the Victorian era.


    The Museum is open from 10 a.m. to 5 p.m. Tuesday through Saturday and from 12 Noon to 5 p.m. on Sunday. It is closed Monday. Regular admission is $8 for adults, $6.50 for seniors/students and $5 for children ages 5-12. Children under five are free when accompanied by an adult. Special group rates are available by calling the Museum at 518-296-8949. The museum is located in Howes Cave, NY (Off Exit 23 of I-88).

    Volunteers Headed to State Parks, Historic Sites

    &#8220Our parks are one of the hidden treasures of our state,” Governor Andrew Cuomo said today, inviting New Yorkers to participate in the first ever I Love My Park Day, a statewide event to enhance the state’s parks and historic sites and bring visibility to the entire park system and its needs.

    Thousands of New Yorkers are expected to turn out on Saturday, May 5, to volunteer to help improve our state parks. Volunteers will celebrate New York’s state park system by cleaning up park lands and beaches, planting trees and gardens, restoring trails and wildlife habitats, removing invasive species, and working on various site improvement projects.

    There are more than 35 participating state parks and historic sites. Bring your friends and family to your favorite park this Saturday and help preserve the beauty of this great state. You can click here to find a park or historic site and sign up, or just show up!

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    NYC Municipal Archives Makes Nearly One Million Historic Photographs Available Online

    In a great bit of news for lovers of New York City history (and everyone else, for that matter), the New York City Municipal Archives recently announced that its new online gallery, featuring a staggering 870,000 plus historical images of New York, is now open and accessible to the public. In addition to historic photographs, many of which have never been released before, users are also able to access maps, moving images, and audio recordings through the online gallery.


    Through this project, which took four years to complete, the Municipal Archives has done us all an indispensable service by enabling unprecedented access to New York’s documentary record and appealing to a wide variety of historical interests (social, cultural, political, architectural, industrial, environmental, economic, criminal, etc.!).

    Deservedly, the unveiling of its online gallery has brought the Municipal Archives some generous media coverage (including pieces in The Gothamist and The Atlantic, as well as on CBS and Yahoo), which in turn has helped make the digital gallery immensely popular since its introduction. So popular, in fact, that the Municipal Archives has had to temporarily suspend access to the gallery in order to ensure that its infrastructure will be able to accommodate such an overwhelming response.

    The gallery’s site is still down as of this writing, but be sure to check it frequently for the gallery’s re-launch (in the meantime, Alan Taylor’s coverage in The Atlantic provides over 50 great images from the gallery to give you a sense of what to expect once it returns in full form). This tremendous achievement, as well as the overwhelmingly positive response that has greeted it, is a testament to the crucial service that the Municipal Archives provides to the New York City community and beyond. It also, unfortunately, comes at a time of uncertainty for the future of the Archives itself.

    The New York City Council’s recent legislation proposing to revoke the autonomy of the Department of Records and Information Services (DORIS, of which the Municipal Archives is a part) and merge it with the Department of Citywide Administrative Services (DCAS) is still pending and, if passed, threatens to drastically undermine DORIS’s professional resources and its ability to provide public access to the historical record of New York City.

    If such valuable initiatives as the Municipal Archives’s digital gallery are to continue, it is imperative that DORIS remains an independent agency within the New York City government. Please refer to the website of the Archivists Round Table of Metropolitan New York (or the Round Table’s earlier post on this blog) for more information on the legislation concerning the future of DORIS.

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    Manhattan’s Mount Vernon Hotel Museum Lectures

    Manhattan’s Mount Vernon Hotel Museum & Garden is hosting a series of lectures this month. The Mount Vernon Hotel Museum building was constructed in 1799 as a carriage house and converted into a “day hotel” in 1826. Today the museum transports visitors back to that Mount Vernon Hotel, a 19th-century country resort for New Yorkers escaping the crowded city below 14th Street. These lectures are made possible in part by the support of the New York Council for the Humanities. Tickets are $10 for adults per lecture but free for students and seniors.

    MARKET AND MEMORY: THE WAR OF 1812 IN COMMODITY AND SONG
    On three consecutive Wednesdays participants can discover how the War of 1812 was remembered and celebrated in objects and song.

    May 2nd at 6pm
    Musicians Frank Hendricks and Linda Pratt examine the War’s long legacy in song.

    May 9th at 6pm
    Ronald W. Fuchs, Curator, Reeves Collection, Washington & Lee University, discusses the New York market for commemorative ceramics made in the UK after the War.

    May 16th at 6pm
    David Jaffee, Professor, Bard Graduate Center, looks at commemorations, parades, and newspaper accounts that celebrated heroes and battles.

    THEY KEPT THEIR WORD
    Thursday, May 10th, at 6pm

    Hear about the important contributions of African-American women in literary societies in early 19th-century America. Women learned crucial writing, oration, and reasoning skills at literary societies that prepared them to claim the right of citizenship. Storytellers Debra Johnson and Sharon Holley combine their original research in Buffalo’s African-American Community with material from the Buffalo-Erie Historical Society.

    1963: A North Country Racehorse Makes Good

    With the Kentucky Derby fast approaching, here’s an item from 1963, when a horse whose name had North Country ties nearly won the coveted Triple Crown (Kentucky Derby, Preakness, and Belmont). The owner was John W. Galbreath, well known nationally and a frequent visitor to the Adirondacks. While his wealth was notable, it was in the world of sports that Galbreath earned his greatest fame.

    He owned baseball’s Pittsburgh Pirates from 1946–1985 (one of his partners was Bing Crosby), winning the World Series in 1960, 1971, and 1979. He was also a graduate of Ohio State and a longtime supporter of the school’s athletic program, one of the most successful in the nation.

    Galbreath became fabulously wealthy as a real estate developer, owning major properties in Columbus, Los Angeles, New York, and Pittsburgh. In 1986, the family fortune was estimated at $400 million. Despite his substantial fame in baseball and real estate, Galbreath’s favorite subject was horseracing. Perhaps the name of his birthplace (in 1897) was a good omen for a future in the sport: he was born in Derby, Ohio.

    Among other things, Galbreath’s great wealth allowed him to indulge his passion. He became involved in horse racing in the 1930s, eventually serving as chairman of Churchill Downs in Louisville (where the Kentucky Derby is run). Near Columbus, Ohio, he developed the famed Darby Dan Farm into a 4000-acre spread, producing many outstanding racehorses.

    He had never won the Kentucky Derby, a goal of all major owners, and in 1963, none of Galbreath’s horses seemed particularly promising. Then, shortly before the Derby, one of his colts captured three straight races, including the Bluegrass Stakes. Suddenly, anything was possible.

    The horse’s name was Chateaugay, and despite the sudden success, most of the media hype went to several other competitors prior to the Triple Crown races. Never Bend was the leading money-winner, and Candy Spots and No Robbery were the first undefeated horses to face off in the Derby in 88 years.

    In front of 120,000 fans at the Kentucky Derby, Galbreath’s favorite horse went off at 9-1 odds. There appeared to be little chance for success. After running at mid-pack for much of the race, Chateaugay moved up to fourth. Near the final stretch, future-hall-of-fame-jockey Braulio Baeza steered his horse through an opening to the inside, and Chateaugay strode to the front, topping all the pre-race stars to win by 1? lengths.

    In race number two, the Preakness, the same strategy was employed. This time, Chateaugay came roaring to the front but fell just short, finishing 3? lengths behind winner Candy Spots. In the Belmont, the results were very similar to the Preakness, but this time, Chateaugay’s charge to the lead was successful, overtaking Candy Spots to win by 2? lengths.

    Only a close loss at the Preakness prevented Chateaugay from winning the Triple Crown, but Galbreath’s colt had proven nevertheless to be a great racehorse.

    During this time, the excitement in the North Country was fairly palpable, especially in the town of Chateaugay (in the northeast corner of Franklin County). Many residents were fervent supporters of Galbreath and his horse, and the famed owner expressed his appreciation in a letter that appeared in local newspapers:

    Dear Mr. Peacock:
    It was certainly nice of you to write me a letter about Chateaugay winning the Kentucky Derby. Several people have asked me how we happened to name this horse as we did.

    As you perhaps know, we have some interest in Lyon Mountain and Mineville, New York [the iron mines], and while I was up there several years ago, I saw the name Chateaugay. I made the remark at the time that I thought it was a pretty name for a town, and also thought it would be a good name for a horse.

    Since Chateaugay’s older sister, Primonetta, was our best filly to date, we naturally hoped this colt would be a good one, and for that reason, we applied the name to him.

    It has been very gratifying indeed to have so many nice letters from people of your town, and I hope you will thank the members of the Chamber of Commerce for their nice telegram which they sent under your name last week. I am going to have some pictures made just as soon as we receive the proofs, and I will eventually send you a picture which you can use for publishing in the paper.

    Thank you again for your nice letter and wire.
    Sincerely yours,
    John W. Galbreath

    In honor of the victory, Galbreath named one of Darby Dan’s buildings “Gay Chateau” (well before a new meaning for “gay” entered the vernacular).

    A few years after winning the Derby, Chateaugay was retired to stud service, first at Darby Dan Farm, and later in Japan after his sale to racing interests there. He died in 1985.

    Galbreath died in 1988 at the age of 90. Besides a grand legacy in the sporting world, he left behind the John W. Galbreath Company, America’s third-largest real estate developer. A second Darby Dan horse, Proud Clarion, won the Derby in 1967, but it was Chateaugay who first made Galbreath’s long-held dream a reality.

    Photos: Top?Chateaugay after winning the Kentucky Derby (1963). Bottom?Chateaugay after winning the Belmont Stakes (1963).

    Lawrence Gooley has authored ten books and dozens of articles on the North Country’s past. He and his partner, Jill McKee, founded Bloated Toe Enterprises in 2004. Expanding their services in 2008, they have produced 20 titles to date, and are now offering web design. For information on book publishing, visit Bloated Toe Publishing.

    Guided Tours at the Shaker Heritage Society

    The Shaker Heritage Society is offering guided tours of America’s first Shaker Settlement. Tours will run every Saturday beginning May 5th through September 29th. Participants will learn the story of the Shakers, a group that played important roles in shaping local and national history. The grounds also house a historic herb garden, chickens, turkeys, and oxen, the grave of Shaker founder Mother Ann Lee and other important Shakers in the Shaker cemetery.

    Guided tours begin the 1848 Shaker Meeting House at the site of America’s first Shaker settlement. The historic site is adjacent to Albany International Airport off of Heritage Lane. Tours begin at 1:00pm. There is a suggested donation of $5.

    For more information visit www.shakerheritage.org or call 518-456-7890.

    Thomas Cole Historic Site Opens Mignot Exhibit

    Louis Remy MignotThe Thomas Cole National Historic Site has opened a new exhibition: Worlds Between: Landscapes of Louis Remy Mignot. Curated by Katherine E. Manthorne, this is the first major solo show of Louis Remy Mignot (1831-1870) in over two decades. The exhibition will offer an intimate look at the work of this young, Charleston-born artist who painted in the style of the Hudson River School – and whose tragic life story is as captivating as his landscape paintings.


    In this exhibition the Thomas Cole National Historic Site offers a rare chance to see a full range of Mignot’s work. The catalogue produced for the exhibit includes full-color reproductions of the paintings and an essay by Dr. Manthorne. Guest Curator Katherine Manthorne brings her expertise on traveler artists to the exhibition and accompanying catalog, which offers a fresh look at Mignot as a painter whose global journeying fed his unique artistic creativity. 

    Specifically, at the Thomas Cole National Historic Site one may view Mignot’s early Dutch landscapes, subtly nuanced snow scenes, coloristic Tropical landscapes, and painterly European pictures. To celebrate the legacy he inherited from Thomas Cole, the exhibition highlights Mignot’s distinctive views of upstate New York and the Hudson River Valley. In many ways, the gallery at the Cole Site offers the perfect venue for this artist living between worlds. 

     Louis Remy Mignot (1831-1870) lived between many worlds: he was a Southern artist living in New York City in the years leading up to the Civil War- a French-Catholic, he worked within a predominantly Anglo-Protestant community of artists- he traveled from the American South to South America, and painted both subtle snow scenes and fiery tropical pictures. He belonged to the inner circles of polar opposites &#8211 Frederic Church and James Whistler- and in his all too short career, his style moved from Hudson River School realism toward Aestheticism. 

    His art and life embodied the mobility that characterized the 19th c. Atlantic world, as he moved from one busy, cosmopolitan port to another. Mignot grew up in Charleston, S.C., where the slave-holding Low Country planter elite frequented his father’s coffee house and confectionary on King Street. At age 17 he traveled to The Hague in the Netherlands for artistic training, and then moved to New York City. From there he visited tourist sites from New York’s Hudson Valley to the White Mountains in New Hampshire. In 1857 he explored South America, painting the steamy lowlands and lagoons that rivaled the Andean panoramas of his traveling companion Frederic Church. 

    With the outbreak of Civil War, his southern identity and world experiences made it difficult for him either to remain in the North or to return home to Carolina, and he took up his travels again. Mignot never reached his intended destination of India, but got as far as London. Ever restless, he spent summers in the Swiss Alps and headed for Paris in 1870, where he was trapped during the Commune and contracted small pox. He died at age 39, leaving behind one of the most diverse and sophisticated bodies of work of any American landscapist. 

    This is the 9th annual presentation of 19th century landscape paintings at the Thomas Cole site. The exhibition program seeks to foster discussion and understanding of the influence of Thomas Cole on American culture through a generation of artists known as the Hudson River School. Worlds Between &#8211 Landscapes of Louis Remy Mignot will be on view until October 28, 2012. 

    DIRECTIONS: The Thomas Cole Historic Site is located in the scenic Hudson River Valley, at 218 Spring Street in Catskill, New York. Located near the western entrance to the Rip Van Winkle Bridge, with easy access from the New York State Thruway exit 21 or Amtrak train service in Hudson, detailed directions and more information can be found at www.thomascole.org or call 518-943-7465. 

    HOURS: Starting May 3rd, the Main House and Old Studio are open for tours from 10 to 4pm, with the last tour at 3pm, Thursday through Sunday, through October 28th. Admission to the grounds is free and open dawn until dusk.

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