The Jay Heritage Center kicks off NY Heritage Weekend and the Path Through History Weekend with the opening of their first major photography exhibit, The Landmarks of New York, on Sunday June 2nd at 3pm.
The show fills their newly configured gallery space at the 1907 Carriage House and includes a collection of 90 black and white photos documenting a select cross-section of New York City’s best loved architectural treasures. Read more
The Sound and Story Project whose mission is to strengthen community through the power of listening, and the Newburgh Free Library invites the community to participate in the making of a multimedia documentary featuring their personal impressions of Newburgh. “Our Story,” a collaborative multimedia program, will take place at the Library on June 1, 2013 from 10:00 – 4:00. Contact Chuck Thomas at 845-3614 to reserve a space.
Community members, assisted by local artists Eileen McAdam, Mia Lobel, Ilene Cutler, and Mariel Fiori, will record stories, take photos and shoot video to tell the story of Newburgh through their eyes. From the material collected and the participant’s impressions, The Sound and Story Project will produce a multimedia presentation that will premier during a public celebration at the Newburgh Free Library. Read more
The Met is offering a wide range events in conjunction with their recently opened exhibition, Photography and the American Civil War.
A Civil War Dialogue will take place this evening, Wednesday, April 10, at 6:00 PM ($25). Novelist Geraldine Brooks and historian Tony Horwitz have both written about the Civil War-and are married to one another. They will discuss their work as well as their different approaches to the Civil War and the writing of history. The discussion will be moderated by Bill Goldstein, book critic for NBC’s Weekend Today in New York. Read more
Gordon Parks bought his first camera in a pawn shop and got his first real photography job at the New Deal’s Farm Security Administration (FSA).”American Gothic,” his bold arrangement of a White House cleaning lady with a mop in front of a flag, got him in trouble on his first assignment.
As a multifaceted creative artist, Parks stacked up firsts again and again in a long career that has been seeing numerous tributes over the past year. 2012 was the 100th anniversary of his birth, and exhibits are still underway. Read more
Midget, feeble-minded, crippled, lame, and insane: these terms and the historical photographs that accompany them may seem shocking to present-day audiences. A young woman with no arms wears a sequined tutu and smiles for the camera as she smokes a cigarette with her toes- a man holds up two prosthetic legs while his own legs are bared to the knees to show his missing feet.
The photos were used as promotional material for circus sideshows, charity drives, and art galleries. They were found on begging cards and in family albums. In Picturing Disability: Beggar, Freak, Citizen, and Other Photographic Rhetoric, Bogdan and his collaborators gather over 200 historical photographs showing how people with disabilities have been presented and exploring the contexts in which they were photographed. Read more
While George Washington Carver would become known as “the peanut man,” because of his extensive research into the practical uses and agricultural advantages of peanuts, Carver’s life work and legacy went far beyond the peanut in his search for ways to “help the man farthest down,” as he put it.
His early years were fraught with struggle and rejection, beginning with his birth to a slave mother near the end of the Civil War. He witnessed mob lynchings, was denied admission at a white college, and yet became a well-educated scientist and teacher of national and worldwide influence and renown.
Signature Communications of Huntingtown, MD, has been engaged by the National Park Service to produce a centerpiece video for visitors to the George Washington Carver National Memorial, located at Carver’s birthplace in Diamond, MO. Titled “Struggle and Triumph: The Legacy of George Washington Carver,” this 25 minute film will be accompanied by an educational video and supplemental educational package tied to national Common Core curriculum standards.
As part of the filming process, and to augment the archival images and film available, Signature is bringing Carver’s experience and legacy to life through re-enactments of seminal experiences in his life, filmed in authentic period settings. Childhood scenes have already been filmed with actors at historic villages and farms in Missouri, as well as at Carver’s birthplace in Diamond, MO. Because the lion’s share of Carver’s lifetime of achievement occurred at Tuskegee University, the filmmakers want to reinforce the significance of his laboratory research and teaching there. Unfortunately, none of the interior settings where Carver worked at Tuskegee have been retained in their historical condition. After a wide search, Signature decided on the Saranac Laboratory Museum at Historic Saranac Lake, and will be undertaking location filming there on November 14.
Dating from 1894 – near the time when George Washington Carver was preparing to move from the Midwest to Tuskegee – the Saranac Laboratory’s white glazed brick walls, wooden cabinetry and period-accurate hood cabinet are very much of the same historical style as those of Carver’s later labs at Tuskegee. Period photographs reinforce that similarity. To round out the illusion, the filmmakers will be outfitting a professional actor with period attire to represent Carver, and are also seeking several young college age men and women to appear as supporting actors representing Carver’s African American students at Tuskegee. Acting experience is not required for these non-speaking roles, and Signature Communications will supply appropriate wardrobe as well as $100 stipend and a credit in the film. Contact: John Allen, 410-535-3477, [email protected].
Photo Caption: George Washington Carver teaching in his Tuskegee University Laboratory, c.1905. Library of Congress photo archive.
The New York State Museum will celebrate the Adirondacks and Lake Champlain on Saturday, November 3 with “Adirondack Day,” an inaugural daylong event that will complement the Museum’s exhibition on iconic Adirondack photographer Seneca Ray Stoddard. Read more
The Historic Districts Council (HDC) of New York City will host a film series, “Across New York”, that highlights stories from across the City’s five boroughs on how the city came to be and the people who helped shape it.
All screenings will be held at the TRIBECA Film Center at 375 Greenwich Street, NYC- tickets can be purchased online. The cost is $5 per program for Friends of HDC, Seniors and Students, and $10 for the general public.
AT HOME IN UTOPIA
Thursday, November 1, 6PM
The acclaimed documentary At Home in Utopia. was written and directed by Michal Goldman. This film tells the story of the Eastern European, Russian and Polish garment workers who joined together to create a “Bronx Bohemia” known as the Coops. This cooperative apartment complex was built in 1925 on the corner of Allerton Avenue across from Bronx Park. The Coops were what some would consider the ideal community- based on the philosophies of communal living and designed with the ideas of a bucolic setting in mind, the Coops were a “dream home” to many. The residents wanted a design aesthetic that was uncommon in New York at the time- bright, airy and spacious, which was representative of the change that was sought to promote public health, safety and a sense of community. The residents of the Coops were also politically active as advocates for racial equality during a time of severe distress, violence and social injustice. Join us for this special screening and panel discussion of At Home in Utopia, where several of the former residents will discuss their lives in the Bronx. Directed by Michal Goldman, 2008, 133 minutes.
FLORENT: QUEEN OF THE MEATMARKET
Thursday, November 8, 6PM
Join the Historic Districts Council for a night of nostalgia as we view the documentary film Florent: Queen of the Meat Market. Florent, a 24-hour diner located in the Meatpacking District, was once the place to be. This legendary spot attracted artists, club-kids and the blue-collar workers who sought decent French-American cuisine at the wee hours of the morning, but who mostly flocked to
this space because of the energy the owner, Florent Morellet, exuded and brought to the establishment. Florent was also one of the leaders of the movement which successfully got the Gansevoort Market neighborhood landmarked in 2003. Florent was unfortunatelyforced to close down in 2008 due to rent increases and development in the area that would not allow for the business to sustain itself. Following the screening, Florent, will discuss his time owning his successful namesake business in an area that has drastically changed over the past twenty-five years as well as how he has remained an activist and leader within his community and beyond. Directed by David Sigal, 2009, 1 hour 29 minutes. This film is not rated.
CONEY ISLAND
Wednesday, November 14, 6PM
“Coney Island” is an award-winning documentary that delves into the extensive history of this seaside community, from its discovery in the 17th century to its ongoing and sometimes heartbreaking evolution. The film illustrates the affinity that the public had for Coney Island as a summer getaway, as evidenced by the 250,000 people that once populated its shores
on any given summer weekend. Also covered in the film is the development of the three major amusement parks (Steeplechase Park, Luna Park and Dreamland) that once inhabited Coney Island, along with the sometimes bizarre and fascinating stories that go with them. There will be a discussion following the film. Directed by Ric Burns, 1991, 1 hour.
This series is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Additional support is provided by Council members Margaret Chin, Inez Dickens, Daniel Garodnick, Vincent Gentile,
Stephen Levin and Rosie Mendez.
Who is Thomas Mott Osborne? And what is The Castle? These questions will be answered at the Auburn, NY premiere of a new documentary about Thomas Mott Osborne on Sunday, October 14 at 2:00 p.m. at Theater Mack at the Cayuga Museum. Filmmaker Neil Novello and Osborne biographer, David Connelly, will discuss the film after the screening. This program is free and open to the public.
Thomas Mott Osborne’s statue stands in front of the Auburn, NY Police and Fire Departments. The Castle refers to the 105 year-old Portsmouth Naval prison that stands empty on a bluff in the Piscataqua River separating Maine and New Hampshire adjacent to the Portsmouth Naval Shipyard. But what do these two (Osborne & The Castle) have in common?
It is written in the Navy’s history of the Portsmouth Naval Prison aka The Castle that Thomas Mott Osborne “introduced a new era and a new viewpoint to the Naval prison.” From 1917 to 1921, Auburn prison reformer and resident, Thomas Mott Osborne, was the only civilian commander of the Naval Prison. Osborne hadn’t served in the Navy.
“Osborne is either a nut or a visionary,” says Pulitzer Prize winner and Auburn resident, David Connelly, who worked with Award-winning filmmaker Neil Novello from Maine on what is the only video documentary ever made about the Auburn industrialist turned humanitarian in the early 20th Century. The always-controversial Thomas Mott Osborne brought scandal, prison reform and a movie crew to the Portsmouth Naval Prison aka The Castle. ”Osborne’s command of the Naval Prison just maybe the culmination of Osborne’s prison reform career,” says Mr. Novello who started on this documentary five years ago.
Novello’s filmmaking journey started with his visit to the Syracuse University’s Bird Library to do research on Osborne. He went through box after box of Osborne’s history at the Naval Prison, which provided many great photos, newspaper articles, as well as Osborne’s writings. It was the Bird Library librarian who told Novello about Osborne biographer, David Connelly.
In the course of a year, David Connelly generously gave of his research time and family time to be a part of this documentary. Connelly knew Frederik (Erik) Osborne, TMO’s grandson, who had the remaining two reels of the Osborne-produced propaganda prison silent feature movie. “The Right Way” was filmed at the Naval Prison using prisoners as extras.
The other important person who gave generously of her time to Novello was Eileen McHugh, Director of the Cayuga Museum of Art and History. The Museum had a copy of Osborne in a 1926 experimental sound movie filmed at the Case Laboratories in Auburn where Osborne mentions the Portsmouth Naval Prison and talks about his reform ideas.
McHugh provided Mr. Novello an area in the basement of the museum to videotape David Connelly’s interview and McHugh also secured, via the Cayuga Museum’s archive, photos of early Auburn as well as Osborne and his family.
To understand Commander Osborne’s Naval prison experience, Novello needed to include Osborne’s family and his work at Auburn and Sing Sing state prisons in New York where he disguised himself as a prisoner to find out what life was like inside. When Osborne went to the Naval Prison, he disguised himself as a prisoner for a report to the Secretary of the Navy. While Commander of the Naval Prison, again Osborne disguised himself as a sailor and was a coal shoveler on the USS North Dakota as a way to understand Navy life.
Osborne became known for his Mutual Welfare League system where prisoners manage prisoners. The Mutual Welfare League was used at Auburn State prison and in Sing Sing state prison as well as the Naval prison.
With the additional photos provided by Ossining Historical Society in New York, and movie film (of Naval sea exercises and World War One) provided by the National Archive, Novello had the visual ingredients for his documentary about Osborne’s experience at the Naval Prison which in a way, culminates his prison reform career.
“It’s all about Osborne’s perspective and his thinking”, says Novello. “I did not want to make a run-of- the-mill, academic-type documentary with pros and cons. It’s about Osborne but told through his letters, film and David Connelly’s wonderful interview.”
Novello wanted to premiere TMO@The Castle in Auburn at the Cayuga Museum of Art and History’s newly restored Theater Mack. “It’s most fitting to show my documentary right here,” says Novello.
Novello has also produced a DVD called, The Castle: Stories of the Portsmouth Naval Prison which includes TMO@The Castle and a commentary to go with the remaining reels of Osborne’s feature movie, The Right Way.
George Eastman House International Museum of Photography and Film announced today the appointment of Dr. Bruce Barnes as the Ron and Donna Fielding Director. Barnes will assume his role as eighth director of the museum—the world’s oldest museum of photography and one of the largest motion-picture archives—in October 2012.
Barnes is the president and founder of American Decorative Art 1900 Foundation (ADA1900), a private foundation based in New York City, that works independently and in collaboration with museums across the United States to foster understanding and appreciation of American decorative art from the period around 1900.
Barnes is coauthor and editor of The Jewelry and Metalwork of Marie Zimmermann (2011), which was copublished by ADA1900 and Yale University Press. ADA1900 also copublished The Artistic Furniture of Charles Rohlfs (2008), an award-winning scholarly book that accompanied an exhibition of the same title co-organized by ADA1900 and the Milwaukee Art Museum. The exhibition traveled to the Dallas Museum of Art, Carnegie Museum of Art, Huntington Art Collections, and Metropolitan Museum of Art.
Barnes was chief executive officer of Element K, a Rochester-based company and pioneer in online learning, from 2000-2004, overseeing more than 800 employees. Over the course of his career, Barnes has held senior executive positions at Ziff Communications Company, Ziff Brothers Investments, Wasserstein Perella & Co., Reservoir Capital Group, and QFS Asset Management. He received a B.A., magna cum laude, and a Ph.D. in Economics from the University of Pennsylvania.
“I am honored to be selected to serve as the next director of George Eastman House,” said Barnes. “The range of its activities and opportunities is exhilarating. George Eastman House is a vital part of Rochester’s community. The museum’s unparalleled collections—in the areas of photography, cinema, and their technologies—and curators make important contributions on the international cultural scene, and its leading post-graduate programs advance the imperative of photography and film preservation around the world.”
“Having devoted most of the last seven years to collaborating with major museums across the country and furthering art scholarship, I am eager to apply my strategic and management skills to leading George Eastman House,” he said. “The house and a great many of the museum’s objects fall precisely within my longstanding interest in American art, decorative art, and architecture of the period from 1876 to 1940. My background in innovative online education will be invaluable to the creation of a virtual museum that will provide global access to its superb collections. I look forward to returning to Rochester and working with the Eastman House board of trustees and staff to advance the museum’s tradition of excellence and service to the community.”
“George Eastman House is an international treasure, a source of local pride, and a complex organization,” said Thomas H. Jackson, chairman of the George Eastman House Board of Trustees. “In Bruce Barnes, we have found the perfect individual to continue the museum’s progress and build the local, national, and international infrastructure and connections that will be essential to Eastman House’s future.
“Our collections and location, important in themselves, are also the springboard for essential work in preservation and an understanding of how the image can inform as well as reflect society,” Jackson said. “Dr. Barnes understands these interconnections in an impressively deep way and has the vision to take our past accomplishments and turn vision into reality. His extraordinary talents across so many dimensions are matched by his passion for George Eastman House and its potentiality. That’s a wonderful, winning, combination.”
Barnes’s appointment is the outcome of an international search process. He succeeds Dr. Anthony Bannon, who retired from George Eastman House in May after 16 years in the position.
“The Search Committee feels extraordinarily fortunate to have found in Dr. Barnes the combination of skills, experience, and passion needed for the challenges and opportunities that lie ahead for the George Eastman House,” said James A. Locke III, the George Eastman House trustee who chaired the Search Committee. “He is quite a remarkable fit for us with his excellent academic background, financial acumen, with prior positions with top Wall Street financial firms, and tested leadership as a CEO in Rochester.
“He is also an engaged collector with scholarly and passionate interests in the arts and museums,” Locke said. “Dr. Barnes can and will be an energetic and transformational leader who surely will make a great difference at George Eastman House and, in the view of the Search Committee, he will make a great difference in the presence and importance of the museum and its varied missions here and globally. We are thrilled with his appointment.”
About George Eastman House International Museum of Photography and Film
George Eastman House International Museum of Photography and Film combines world-class collections of photography and film with an active program of exhibitions, lectures, film screenings, and the National Historic Landmark house and gardens of George Eastman, the philanthropist and father of popular photography and motion picture film. Eastman House is also a leader in film preservation and photograph conservation, educating archivists and conservators from around the world through historic-process workshops and two graduate schools, the L. Jeffrey Selznick School of Film Preservation and the Photographic Preservation and Collections Management master’s degree program. Eastman House, which was established as an independent non-profit museum in 1947, is one of the world’s foremost museums of photography and the third largest motion-picture archive in the United States. The museum intertwines unparalleled collections, totaling more than 4 million objects, of photography, motion pictures, and cameras and technology, as well as literature of these fields of study. Learn more at eastmanhouse.org