Gender History

Rochester: 19th Amendment Festival August 20th

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A 19th Amendment Festival will be on Saturday, August 20, 2011 from noon to 5 p.m., in the Susan B. Anthony Park between Madison and King streets in Rochester, NY. The event celebrates the ratification of the 19th amendment in 1920, finally giving women the right to vote, after a campaign that lasted more than 70 years.

Music and entertainment in the park will be provided by the Hochstein School of Music and Dance as well as the Genesee Harmonic Society of the Genesee Country Village and Museum. Authentic nineteenth-century baseball demonstrations will be provided by Genesee Country Village’s women baseball team, in period costumes, following the rules and etiquette of the game as it was played in the 1800s.

Walking tours of the historic 19th century Historic Preservation District will also be offered. Tours of the Anthony House will be available beginning at 11 a.m. at the special admission price that day only of $5.00 for all ages. Food and craft vendors will be set up in the park.

Deborah Hughes, executive director of the Susan B. Anthony House, said, “We hold this event each year just before August 26, the date the 19th amendment was officially declared law by the Secretary of State after it was ratified by the required number of states. It’s a wonderful celebration of Susan B. Anthony’s life and work and of all the women and men who campaigned so long and so fervently to win voting rights for women.”

The event is presented by the Susan B. Anthony Neighborhood Association and the Susan B. Anthony House.

The National Susan B. Anthony House and Museum preserves the National Historic Landmark where the great reformer lived for 40 of her most politically active years, collects and exhibits artifacts related to her life and work, and offers programs through its learning center that challenge individuals to make a positive difference in their lives and communities.

NY Suffrage Writer Hits PBS in September

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Writer Louise Bernikow uncovers the long Suffrage Campaign in New York City, a place she says &#8220where the urban landscape became a prop for incomparable political spectacle. The Statue of Liberty, the transit system, Fifth Avenue, Wall Street, parks and streetcorners&#8211 all became venues for a complicated, shifting alliance across lines of race and class, ending in a historic victory in 1917.&#8221 Read more →

Event: Spiritualist Fox Sisters in Petersboro

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Spiritualism was born in the spring of 1848 when Margaret and Kate Fox heard strange rappings in their Hydesville NY bedroom. Within two years the two “Rochester Rappers” with their sister Leah were touring the country communicating with spirits. The Free Church of Peterboro was one site for the rapping demonstrations. “Scraps of paper in the Gerrit Smith Papers showing questions posed to a spirit medium … revealed that the family attempted to communicate with their loved ones, including Fitzhugh and Peter, after they had died,” according to one historian.

At 2 pm on Sunday, July 24 the Gerrit Smith Estate National Historic Landmark in Peterboro will host programs on 19th Century spiritualism with particular attention to the Fox Sisters and Peterboro’s connections to the spiritualism movement. The program is open to the public and free.

The featured speaker Nancy Rubin Stuart (Osterville, Mass) will present Maggie Fox, Victorian America’s Reluctant Spiritualist. Upstate New York teenager Maggie Fox (1833-1893) rose to national fame as Victorian America’s &#8220reluctant spiritualist.&#8221 Young and beautiful, Maggie’s alleged ability to communicate with spirits in America’s first seances of 1848 astounded the press, and made Maggie and her sisters the darlings of Broadway. Maggie inspired hundreds of imitators, and fascinated the most prominent men and women of her era, among them Horace Greeley, James Fenimore Cooper, Harriet Beecher Stowe, Mary Todd Lincoln, William Lloyd Garrison, Nathaniel Hawthorne, and William James. After a passionate love affair and secret marriage to distinguished Arctic explorer Dr. Elisha Kent Kane in 1856, during which Maggie promised to give up mediumship, her life took surprising twists and turns, culminating with a startling confession in 1888 at the New York Academy of Music. The lecture is accompanied by slides of Maggie Fox and her era.

Rubin explains that her purpose is neither to prove nor disprove the veracity of spirit communication, but rather to illustrate how 150 years ago the Fox sisters’ introduction of that idea swept through America and why it continues to fascinate people today. Maggie’s story is important, Rubin believes, because of passion – the passionate longing that 19th C. Americans had to once again talk with their beloved dead, and the passionate romance between Fox and Kane.

This Speakers in the Humanities event, which is free and open to the public, is made possible through the support of the New York Council for the Humanities, a state affiliate of the National Endowment for the Humanities. The Speakers in the Humanities program has linked distinguished scholars with diverse audiences since its launch in 1983, bringing the best in humanities scholarship to thousands of people at hundreds of cultural organizations in virtually every corner of New York State. This program is just one of the ways the New York Council for the Humanities helps all New Yorkers to lead vibrant intellectual lives by strengthening traditions of cultural literacy, critical inquiry, and civic participation.

After Stuart’s presentation, popular local performers and sisters Darothy DeAngelo and Sue Greenhagen will provide a light-hearted look at early spiritualism with a vignette of the Fox Sisters during a rapping session enticing the spirits of some “dearly departed.” DeAngelo portrays Maggie, and Sue portrays Kate.

Beginning at 1 pm, Michael Keene will sell and sign his recently published book by The History Press: Folklore and Legends of Rochester: The Mystery of Hoodoo Corner & Other Tales. The book includes the story of the Fox Sisters, as well as the anti-Masonic hysteria of the early nineteenth century and the unexplained disappearance of former Mason, Captain Morgan. Keene worked for twenty-five years in the financial services industry as a financial planner. He is also the producer of an award-winning 2008 film Visions, True Stories of Spiritualism, Secret Societies & Murder, which, in part, inspired his new book.

Copies of Town of Smithfield historian Donna Burdick’s paper &#8220Spirited Women – and Men & Their Unpopular Causes&#8221 will be on sale at the Peterboro Mercantile for the benefit of the Peterboro Area Historical Society. Burdick’s document describes Spiritualism as it was introduced and “practiced” in Peterboro. Burdick refers to written accounts of medium sessions and spiritualism conferences.

The Gerrit Smith Estate and the National Abolition Hall of Fame and Museum in Peterboro are open from 1 – 5 p.m. on Saturdays and Sundays until October 23, 2011. Admission to each site is two dollars. Stewards and students are free. For more information:

Gerrit Smith Estate National Historic Landmark, 4543 Peterboro Road, Peterboro NY 13134-006- call 315-280-8828 or visit www.sca-peterboro.org

Historic Districts Council Elects New President

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The Historic Districts Council, the citywide advocate for New York’s historic neighborhoods, has elected architect Francoise Bollack as the organization’s eighth president. Ms. Bollack is the first woman to serve as HDC’s President.

Francoise Bollack, AIA, is a registered architect with over 30 years of experience in architectural design, preservation and adaptive reuse. Born in Paris, France, Bollack was educated at the Ecole Speciale d’Architecture in Paris and the Ecole Nationale Superieure des Beaux Arts. In 1982 she founded Francoise Bollack Architects in New York City to provide high quality architectural services to private and institutional clients with socially meaningful programs.

Francoise Bollack has served on the Board of the Historic Districts Council since 2007 and chairs the Designation Committee. She is on the Board of Landmark West! and has served as Director on the Board of the Architectural League of New York and the New York State American Institute of Architects. She is a co-founder of the Women in Architecture Committee of the AIA. She lives on Central Park West in a landmark apartment building.

Bollack’s goals as President of the Historic Districts Council are to &#8220strengthen connections with groups engaged in advocacy efforts in New York City, promote high quality design in historic districts, support good government measures and a fully funded LPC. We all love New York City,” Bollack says, “and we want to make sure that it functions and that the architectural and social value of its historic neighborhoods is celebrated.&#8221

HDC is currently celebrating its 40th Birthday this year, and a major part of its new programming is the “6 to Celebrate” program, created by Bollack. This is New York’s only citywide list of preservation priorities. Throughout 2011, HDC will work with these neighborhood partners to set and reach preservation goals through strategic planning, advocacy, outreach, programs and publicity.

Bollack has been an Adjunct Associate Professor of Historic Preservation at Columbia University since 1985, participating in the fall and spring studio and teaching “Design Principles for Preservation” then directing the expanded Fall Studio 1 “Understanding and Documenting Historic Architecture”. In 2009 she began teaching the seminar “Old Buildings – New Forms” based on her ongoing examination of cutting edge designs of additions to old buildings, world-wide: she is currently working on a book about this subject to be published by WW Norton in 2012.

Bollack’s recent design projects include significant interventions in major architecturally and culturally significant public buildings such as the New York State Capitol building in Albany, the Chesterwood Museum in Stockbridge Massachusetts, and the Lesbian and Gay Community Services Center in New York City. These projects explore the relationship between historic architecture and new interventions with a rich repertoire of inventive solutions. Her firm’s projects have won awards from the Municipal Art Society, American Institute of Architects, Greenwich Village Society for Historic Preservation, New York Landmarks Preservation Commission, New York Landmarks Conservancy, and the Victorian Society in America.

Founded in 1971 as a coalition of community groups from New York City’s designated historic districts, the Historic Districts Council has grown to become one of the foremost citywide voices for historic preservation. Serving a network of over 500 neighborhood-based community groups in all five boroughs, HDC strives to protect, preserve and enhance New York City’s historic buildings and neighborhoods through ongoing programs of advocacy, community development and education.

Gage Girls Summer Day Camp

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The Matilda Joslyn Gage Center (210 E. Genesee Street, Fayetteville, Onondaga County) will offer a &#8216-Gage Girls’ Summer Day Camp, August 15 &#8211 19, from 9:00 a.m. &#8211 3:00 p.m. for girls entering 6th through 8th grades.

Participants will explore the rooms in the home of 19th century activist Matilda Joslyn Gage through fun, thought-provoking and empowering activities including:

Haudenosaunee Room &#8211 Outdoors for nature exploration and to learn about the culture of Central New York’s Native Americans and how they inspired Joslyn Gage in her work for social justice.

Women’s Rights Room &#8211 Create a special exhibit with a Seneca Falls doll house crafter and portrait artist and meet a local pioneer of science.

Oz Parlor & Local History Hall: Learn about the powerful girls of Oz, see what it was like to wear corsets and petticoats and take a look at today’s clothing styles.

Religious Freedom Room &#8211 Discover the rich diversity of people and religion in Central New York- learn about labyrinths- try meditation.

Underground Railroad Room &#8211 Uncover the secrets of the Underground Railroad- examine today’s bullying problem- try your hand at acting- join a drumming circle

Each day wraps-up with a Victorian tea party. Register by Saturday, July 30 ~ Space is limited. Call (315) 243-7667 or email [email protected]. The cost is $135.00 members, $150.00 non-members ~ Some scholarships are available. A $50.00 deposit is required to reserve a space, the balance due by Friday, August 5.

Exhibit to Focus on Gender in American Portraiture

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Hide/Seek: Difference and Desire in American Portraiture, the first major museum exhibition to explore how gender and sexual identity have shaped the creation of American portraiture, organized by and presented at the National Portrait Gallery last fall, will be on view at the Brooklyn Museum from November 18, 2011, through February 12, 2012. With the cooperation of the National Portrait Gallery, the Brooklyn Museum has reconstituted the exhibition in concert with the Tacoma Art Museum, where it will be on view from March 17 through June 10, 2012.

Hide/Seek includes works in a wide range of media created over the course of one hundred years that reflect a variety of sexual identities and the stories of several generations. The exhibition also highlights the influence of gay and lesbian artists who often developed new visual strategies to code and disguise their subjects’ sexual identities, as well as their own. Hide/Seek considers such themes as the role of sexual difference in depicting modern Americans, how artists have explored the definition of sexuality and gender, how major themes in modern art&#8211especially abstraction&#8211were influenced by marginalization, and how art has reflected society’s changing attitudes.

Announcing the Brooklyn presentation, Museum Director Arnold L. Lehman said, &#8220From the moment I first learned about this extraordinary exhibition in its planning stages, presenting it in Brooklyn has been a priority. It is an important chronicle of a neglected dimension of American art and a brilliant complement and counterpoint to Youth and Beauty: Art of the American Twenties, a touring exhibition organized by the Brooklyn Museum, also on view this fall. &#8220

In addition to its commentary on a marginalized cultural history, Hide/Seek offers an unprecedented survey of more than a century of American art. Beginning with late nineteenth-century works by Thomas Eakins and John Singer Sargent, the exhibition traces the subject of gender and sexuality with approximately one hundred works by masters including Romaine Brooks, George Bellows, Marsden Hartley, and Georgia O’Keeffe. It continues through the postwar periods with works by Jasper Johns, Robert Rauschenberg, Agnes Martin, and Andy Warhol. The exhibition addresses the impact of the Stonewall Riots of 1969, the AIDS epidemic, and the advent of postmodernism and themes of identity in contemporary art. The exhibition continues through the end of the twentieth century with major works by artists including Keith Haring, Glenn Ligon, Nan Goldin, Felix Gonzalez-Torres, and Catherine Opie.

The Brooklyn presentation will feature nearly all of the works included in the National Portrait Gallery exhibition. Among them are rarely seen works by Charles Demuth, whose better-known industrialized landscapes are on view in Youth and Beauty- a poignant portrait of New Yorker writer Janet Flanner wearing two masks, taken by photographer Bernice Abbott- Andrew Wyeth’s painting of a young neighbor standing nude in a wheat field, much like Botticelli’s Venus emerging from her shell- Robert Mapplethorpe’s photograph riffing on the classic family portrait, in which a leather-clad Brian Idley is seated on a wingback chair shackled to his whip-wielding partner, Lyle Heeter- and Cass Bird’s photographic portrait of a friend staring out from under a cap emblazoned with the words &#8220I Look Just Like My Daddy.&#8221 The exhibition will also include David Wojnarowicz’s A Fire in My Belly, an unfinished film the artist created between 1985 and 1987.

The original presentation was co-curated by David C. Ward, National Portrait Gallery historian, and Jonathan Katz, director of the doctoral program in visual studies at the State University of New York in Buffalo.

At the Brooklyn Museum the exhibition has been coordinated by Tricia Laughlin Bloom, Project Curator. Hide/Seek: Difference and Desire in American Portraiture has been generously supported by The Andy Warhol Foundation for the Visual Arts.

Additional support has been provided by the Robert Mapplethorpe Foundation.

Photo: Walt Whitman by Thomas Eakins. Courtesy National Portrait Gallery, Smithsonian Museum.

Wedded Perfection: Two Centuries of Wedding Gowns

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Vera Wang, Christian Dior, Paco Rabanne, Zac Posen, and Bob Mackie are just a few of the world-renowned designers whose creations are showcased in “Wedded Perfection: Two Centuries of Wedding Gowns” on view June 19 through September 18 in the Munson-Williams-Proctor Arts Institute Museum of Art in Utica.

Wedding gowns are the ultimate in fashion opulence. This monumental exhibition, the most impressive ever presented on the wedding gown and the largest in MWPAI history, showcases 50 gowns dating from the 1700s to today.

From vintage to vogue, gilded to goth, these fashion masterpieces are the epitome of artistry, illustrating how the same styles that pervade the fine and decorative arts in the Museum’s collection manifest themselves in fashion art.

Ancient Greek and Roman motifs, which saturated American arts in the late-18th and early-19th centuries, are embodied in the empire waistline, sheer material, and columnar outline of an 1801 gown in “Wedded Perfection.” The bride would have eschewed the opulent heavy silks and structured gowns associated with French and English 18th-century aristocracy of a generation earlier, and as captured in a 1763 emerald-colored, brocaded-silk gown in the exhibition.

Designers transform extraordinary ideas into clothing. Each gown in “Wedded Perfection” relates a story about cultural values, the bride, or the creator of the dress. Dressmaker Ellen Curtis (1850-1923), for example, wanted her own wedding dress to serve as a showpiece, a way to entice more ladies to call on her needle-working artistry. In the exhibition, her stylish wedding dress illustrates a mastery of skill and tailoring techniques and an awareness of all the latest fashions. Contemporary couture designer Zac Posen fashioned an imaginative vision into an extravagant dress for his sister’s 2004 marriage. The intense color and six-foot train ornamented with silk poppies are inspired by the movie “The Wizard of Oz” and reflect the bride’s sense of style. The train in its entirety can be seen in the exhibition.

“Wedded Perfection” will explore the origin of western bridal traditions, trendsetting wedding dresses, contemporary and avant-garde wedding dresses, influential designers and periods when the “traditional” white wedding dress was not worn.

When Queen Victoria married Prince Albert in 1840, she popularized the mode for the single-use white wedding gown. Not all women could afford such a luxury, and dresses of numerous colors are represented in the exhibition. When Evelyn Marie Wright married during the depression, for example, her family was not in a position to buy an elaborate wedding gown. Her future mother-in-law, an accomplished seamstress, crafted a fashionable dress from machine-made lace. The bride chose blue, her favorite color, and despite the high neckline of the dress, its sleek, form-fitting shape and light fabric are alluring.

The variety of styles in the exhibition illustrates how each bride makes a personal statement. As exemplified by the lace, tulle, feathers, fur, rhinestones, and flowered trim on the gowns, the wedding dress is an artistic canvas. The dress may be the most elaborate piece of clothing a woman will ever wear and the one garment in which she is assured rapturous attention. An opulent 1887 gown is ornamented with silver beads, faux pearls, and wax orange blossoms, a symbol of purity. Thirty-four years later, a 1921 dress also elaborately decorated with pearls, demonstrates how quickly fashion arts revolutionize.

With gowns that vary from a fairytale princess style to a 1967 installation piece by celebrated international artist Christo, this exhibition will examine the compelling allure of the glamorous wedding dress for modern women and its present iconic stature. A gown by New Hartford, N.Y., native and Emmy-award winning designer David Zyla evokes historical antecedents interpreted in an ultra-modern and chic manner. Likewise, dresses by Vera Wang illustrate her trendsetting designs of elegant formfitting, strapless dresses.

Including elaborate fashion statements and extreme runway samples by leading designers, “Wedded Perfection” is organized by the Cincinnati Art Museum. Munson-Williams-Proctor Arts Institute is the only other venue for the exhibition. A fully illustrated catalogue will be available in the Gift Gallery.

Special Exhibition Admission: MWPAI Members—first visit free with the voucher that you will receive in the mail- subsequent visits, $5. General Admission—$10

Group tour rates, which include a guided tour and offer a gourmet luncheon on the Fountain Elms Terrace, are available for groups of 20 or more. Contact Ellen Cramer at (315) 797-0000, ext. 2149, for more information.

Photo: Christian Dior (1905-57) France, Wedding Ensemble: Dress, Crinoline, and Headpiece, 1954, linen, silk, Gift of Countess de Rochambeau.

Women’s Rights: Race, Class and Ethnicity

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This Saturday, April 9th, at 7:00 pm, Historic Huguenot Street will host another in its Second Saturdays Lecture Series. The featured speaker will be Harriet Davis-Kram, Professor of American History at Queens College in New York City. The title of her talk is “Women’s Rights: A Struggle of Race, Class and Ethnicity.”

The quest of American women for equal rights dates back to the 18th century. One need only read the letters Abigail Adams sent to her husband John at the Constitutional Convention, warning him, &#8220You’d better not forget the ladies.&#8221

By the early 19th century, women’s voices were often heard in the debate over the abolition of slavery, and a number of educated women began to see similarities between their own social, economic, and political status, and that of the slaves they were fighting to emancipate. A small group of abolitionists would go on to found the movement for women’s equality. Davis-Kram will explore this history and the internal tensions that were part of the fight for women’s equality.

New York women were very much a part of this movement. Sojourner Truth is well known for her leading role in advocating for the end of slavery. Less well known is the key role she played as an African-American woman in the later struggle for women’s rights. She was a contemporary of Susan B. Anthony and Elizabeth Cady Stanton, among others. So too was Lydia Sayer Hasbrouck, the Middletown woman who made her mark as a dress reformer and as the publisher of “The Sybil,” a 19th century women’s rights periodical. Saturday’s talk is a prelude to the reinterpretation of the Abraham Hasbrouck House at Historic Huguenot Street. When this house reopens in 2012, the story told will focus on the lives on women in early New Paltz.

Davis-Kram, who has been teaching for over 30 years, specializes in the areas of American Women’s History, American Labor History, Immigration, and New York City History. Dr. Davis-Kram also guides walking tours in New York City focusing mostly on the 19th-century up through 1920. Her talk is made possible through Speakers in the Humanities, a program of the New York Council for the Humanities. Speakers in the Humanities lectures are made possible with the support of the National Endowment for the Humanities, the New York State Legislature, and through funds from the Gladys Krieble Delmas Foundation.

The talk will be held in the LeFevre House, located at 54 Huguenot Street in downtown New Paltz. There is a suggested donation of $5. For more information, call 845.255.1660 or visit www.huguenotstreet.org.

Coverage of 1911 Triangle Factory Fire

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The New York Times City Blog has been running a series of posts commemorating the Triangle Shirtwaist Factory Fire, which happened 100 years ago today on March 25, 1911.

There are links to the posts below, but first, here’s a brief description of what happened from Wikipedia: &#8220[The Triangle Fire] was the deadliest industrial disaster in the history of the city of New York and resulted in the fourth highest loss of life from an industrial accident in U.S. history. The fire caused the deaths of 146 garment workers, who either died from the fire or jumped to their deaths. Most of the victims were recent immigrant Jewish and Italian women aged sixteen to twenty-three.&#8221

&#8220Many of the workers could not escape the burning building because the managers had locked the doors to the stairwells and exits. People jumped from the eighth, ninth, and tenth floors. The fire led to legislation requiring improved factory safety standards and helped spur the growth of the International Ladies’ Garment Workers’ Union, which fought for better working conditions for sweatshop workers.&#8221

Here is a round-up of the City Room’s outstanding coverage:

Liberating Clothing Made in Confinement

A Half Hour of Horror

A Frontier in Photojournalism

Editorial Cartoons

One Woman Who Changed the Rules

New Leaders Emerge

Labor Laws and Unions in the Fire’s Wake

In a Tragedy, a Mission to Remember

Garment Work in New York 100 Years After the Triangle Fire

The Building Survives

Remembering the Triangle Fire, 100 Years Later

Remembering Triangle Fire’s Jewish Victims

Clinging to Memories

In Search of Today’s Sweatshops

Matilda Joslyn Gage Celebration at Gage Center

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The Gage Foundation will celebrate the 185th birthday of Fayetteville, New York’s most famous women’s rights activist Matilda Joslyn Gage on Thurs., March 24, from 4-7 p.m. with an open house at the newly restored Gage Center, 210 E. Genesee Street, Fayetteville.

The event is free and open to the public. It will feature music and poetry written in honor of Gage. Winners of the annual Matilda Joslyn Gage essay contest will be announced at 4:15. Musical entertainment will follow, with local activist-artist Colleen Kattau performing a song she composed about Gage. The Eagle Hill Middle School girls’ chorus will perform music from Gage’s time, and Ed Nizalowski will play period flute music. Martin Willitts will read from his new poetry chapbook, &#8220Protest, Petition, Write, Speak: Matilda Joslyn Gage Poems&#8221 and sign copies of the book at 6 p.m.

Visitors will be invited to &#8220Write on Our Walls&#8221: to share their ideas for programs and exhibits by writing on whiteboard walls in each room. All will be treated to birthday cake provided by Connie Decker of the Chocolate Truffle.

A place of ideas, the Gage Center relies on dialogue to explore the social justice issues that Gage found most important and that still challenge us today.

Beginning March 26, the Gage Center will be open to the public Saturdays and Mondays from 10 a.m. to 4 p.m. and at other times by appointment. Admission is $7 for adults, $5 for students and seniors. Group rates are available. Watch their website to learn about upcoming events at the Gage Center. For more information contact (315) 637-9511 or [email protected].