Music

Odetta, Richard Wright Being Honored Today in NYC

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Today, Tuesday, July 17, 2012 the Historic Districts Council and the Historic Landmarks Preservation Center in New York City will unveil new cultural medallions for two pioneers in the fields of literature and music.

First at 11:00am, in collaboration with the Fort Greene Association, author Richard Wright will be celebrated with a medallion unveiling at 175 Carlton Avenue in Fort Greene, Brooklyn. Then at 2:00 pm their will be an unveiling of a medallion commemorating the life of Odetta, the legendary singer, songwriter and political activist, at her longtime residence, 1270 Fifth Avenue, in East Harlem. The public is invited to both events.

Odetta: The Voice of the Civil-Rights Movement, 1930-2008

Odetta Holmes, born on December 31, 1930 in Birmingham, Alabama was a true activist, performance artist and musician. Her powerful image and robust voice was and continues to represent the politically driven folk-music of the 1950’s and 1960’s. As an African-American female performance artist during a time of political and racial upheaval, Odetta was a leader and voice for the civil rights movement- marching with Martin Luther King Jr. and performing a show for John F. Kennedy. The ability she had to convey meaning and life into her music inspired others to follow in her pursuit of fairness, equality and justice.

Author Richard Wright, 1908- 1960

Born in Mississippi, Richard Wright spent the majority of his childhood living in poverty in the oppressive racial and social atmosphere of the south. Wright escaped familial and social constraints by immersing himself in the world of literature, and became one of the first great African American writer’s of his time. Richard Wright relocated to Brooklyn’s Fort Greene neighborhood and was living here in 1938 when he drafted his first novel, Native Son. He wrote several controversial novels, short-stories and semi-autobiographical accounts that reflected the brutalities often inflicted on the African American people of the south during this period. Wright eventually left New York City for Paris. His grave is located in the Pere Lachaise Cemetery.

About the Ceremony and Cultural Medallion Program

Distinguished scholars, artists and elected officials will be participating in both of the cultural medallion ceremonies. The Richard Wright program will include Brooklyn Borough President Marty Markowitz, celebrated playwright Lynn Nottage, Paul Palazzo of the Fort Greene Association, musician and author Carl Hancock Rux, and Howard Pitsch will read a message from Wright’s daughter, Julia Wright, who currently resides in Paris. Pianist Dave Keyes will perform Odetta’s signature piece, This Little Light of Mine, at the Odetta ceremony.

The Cultural Medallions are a program of the Historic Landmarks Preservation Center. Barbaralee Diamonstein-Spielvogel, Chair of the HLPC, created the Cultural Medallions program, and will lead the ceremony. The HLPC has installed almost 100 medallions around the city to heighten public awareness of the cultural and social history of New York City.

Nellis Tavern: War of 1812 Songs and Stories

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The historic Nellis Tavern museum east of St. Johnsville (Montgomery County) will present performer and researcher Dave Ruch on Saturday, May 5, in a special concert entitled “The War of 1812 – Songs and Stories from New York and Beyond.” The program will begin at 2 p.m.

With guitar, mandolin, banjo, jew’s harp, bones, and voice, Dave Ruch interprets the traditional and historical music of the New York State region. For this program, Ruch presents a ringing portrait of the War of 1812 through the songs and stories of the people themselves.


Ruch has dug deeply into archival recordings, diaries, old newspapers and other historical manuscripts to unearth a wealth of rarely-heard music which, alongside some of the classics from the war period, offers a rounded and fascinating picture of this “second war of independence.” Special emphasis is given to New York State’s important role in the conflict.

By the War of 1812, the Nellis Tavern, originally built about 1747 facing the Mohawk River, had been enlarged and faced the recently completed Mohawk Turnpike (NYS highway 5). The turnpike was an important thoroughfare during the war, and the tavern served a host of travelers, military and civilian alike. Ruch will perform music which might have been heard in the tavern two hundred years ago.

Ruch travels widely from his home base in Buffalo, giving hundreds of performances each year for schools, museums, historical societies, libraries, festivals, community events and more. He will appear at the Nellis Tavern as a Speaker in the Humanities sponsored by the New York Council for the Humanities.

Admission is free and open to the public.

For more information, contact the Palatine Settlement Society at 518-922-7051.

Woody Guthrie Centennial: Guthrie Archivist Interview

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Music legend and songwriting luminary Woody Guthrie was born on July 14, 1912, and this year marks his centennial birthday. To celebrate, the Grammy Museum, the Guthrie family, Woody Guthrie Publications and the Woody Guthrie Archives have planned an international program of events, including tours, concerts, festivals, and conferences.

Ryan Anthony Donaldson of the Archivists Round Table of Metropolitan New York (ART) recently had the chance to ask Tiffany Colannino a few questions about the Woody Guthrie Centennial Celebration. Tiffany is the Archivist with the Woody Guthrie Archives, currently located in Mount Kisco, New York, as well as the newly appointed ART Advocacy Chair.

ART: How did the centennial partnership between the GRAMMY Museum, Guthrie Family/Woody Guthrie Publications, and Woody Guthrie Archives come about?

TC: The centennial partnership between the GRAMMY Museum and the Woody Guthrie Archives has deep roots. For starters, we are both non-profit organizations committed to the history of American music. The Archives’ mission is to perpetuate Woody Guthrie’s life and legacy through the proactive preservation of his Archival material, whereas the GRAMMY Museum’s mission is to explore and celebrate the enduring legacies of all forms of music. Although these missions differ, with the Archives’ focus on preservation and research, and the GRAMMY Museum on public programs and activities, our two organizations can work together to use these archival documents to bring Guthrie’s life to a broad audience.

But it’s more than just our missions that link us together: Robert Santelli, Executive Director of the GRAMMY Museum, is actually a former researcher at the Woody Guthrie Archives. Since 1990, Santelli has researched in the Archives in support of several Woody Guthrie book projects, including his 2012 work This Land Is Your Land: Woody Guthrie and the Journey of the American Folk Song. He has maintained an active working relationship with Nora Guthrie – President of Woody Guthrie Publications, Inc and Director of the Woody Guthrie Archives – for over 20 years.

In a recent press release, Nora Guthrie comments on this partnership, remarking: &#8220Because of its deep enthusiasm for Woody’s creative legacy as well as the underlying influence he’s had on so many musicians and songwriters in all genres of American music, the GRAMMY Museum is the obvious choice to help us celebrate the legacy that he created.&#8221

The centennial celebrations will include concerts, conferences, and exhibits across the United States, Canada, and Europe. We’ve launched www.Woody100.com as a one-stop-shop for all of our North American events, and www.Woody100.de for our European events. In addition to the events we are planning with the GRAMMY Museum, these sites also list the Grassroots events that Guthrie fans and supporters are planning across the world, including lecture series, concerts, hootenannies, and exhibits. In addition, there are many new releases – books, films, and musical albums – including many based solely on material from the Woody Guthrie Archives, set to launch in 2012 to help celebrate Guthrie’s centennial, and perpetuate his legacy.

ART: In terms of centennial celebrations for Woody in the New York area, there will be a concert at Brooklyn College as well as a conference at Penn State University in September. What topics relating to Woody Guthrie would you like to see explored at the conference?

TC: That’s a tough question, because there are so many facets of Woody Guthrie’s life yet to be explored! However, the great thing about the academic conferences being planned for this year is that rather than focus solely on a specific aspect of Guthrie’s life, each conference will use Guthrie as the starting point to open a discussion on a broader, contemporary theme. The theme for each conference will be selected by the host institution, allowing them to decide on a topic that is of direct relevance to their local community.

The 2012 Woody Guthrie Centennial Celebrations will include four large academic conferences: Tulsa, Los Angeles, Penn State, and Brooklyn.

The Tulsa conference, Different Shades of Red: Woody Guthrie and the Oklahoma Experience at 100, used Guthrie as a stepping stone to discuss Oklahoma politics. At the University of Southern California conference, Woody Guthrie’s Los Angeles: A Centenary Celebration, we’ll talk about Los Angeles in the late 1930s, where Guthrie worked for several local radio stations and wrote for various newspapers after fleeing the Dust Bowl. Woody At 100: Woody’s Legacy to Working Men & Women, the Penn State conference in September, will use Guthrie to focus on the labor movement and unions, while the theme for the Brooklyn conference, also in September, is yet to be announced.

ART: It has been announced that the research collection of the Woody Guthrie Archives will be relocating from Mount Kisco, NY, to Woody’s home state of Oklahoma in 2013. How is the planning coming along for it?

TC: In 2013, the Woody Guthrie Archives will relocate from Mount Kisco, New York to a permanent home with the George Kaiser Family Foundation in Tulsa, Oklahoma. As a native Oklahoman, this move will truly bring Guthrie’s life full circle!

The Archives will be located in a repurposed warehouse – the Tulsa Paper Company – along with other arts oriented organizations, and I have had the opportunity to walk through the building site several times. Work is already underway, and it is exciting to see the Archives’ new home come to life! I have had meetings with the building architects to review design plans and requirements, discussing the archival needs to be taken into consideration during the design phase. This relocation to Tulsa will ensure continued researcher access to the material in the collection, and the long-term preservation of over 10,000 pages of documents held in the Woody Guthrie Archives.

More information on Woody Guthrie centennial events is available online.

Lafayette Spaulding: Fiddlin’ Around on Broadway

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Ol’ time, foot-stompin’ fiddle music is a North Country staple, rooted in times past when people made their own fun. Its heyday was principally from the mid-1800s to the 1940s, finally giving way in the post-World War II years to the automobile and widespread availability of electricity. Sources of entertainment changed, but before that, the tradition of barn dances and the like was strong across the Adirondacks.

For the past seventy years or so, that tradition has been preserved by a number of outstanding musicians, and it continues today with young Dorothy Jane Siver. Back in the 1950s and 60s, when some of the old tunes were rolled out, it brought back memories of Crown Point’s Lafayette Spaulding.

Born in Ironville (about six miles southwest of Crown Point village in Essex County) in 1830, Spaulding worked on the family farm and at the same time developed a strong interest in music. As an adult, he continued on both paths, operating his own farm in Crown Point while broadening his musical skills. For a time he was the Crown Point Lighthouse keeper, but he farmed most of his life.

The gigs he did as a young boy—parties and dances—confirmed a burgeoning talent. That led to appearances at taverns, dance halls, hotels, wedding receptions, and performances in musical presentations. But he didn’t neglect the smaller venues. Whether you called it a hop, a parlor dance, a kitchen dance, or a barn dance—if it was somewhere in the vicinity of Crown Point, Lafayette Spaulding was the guy to call.

The name itself has a great ring to it, as did his wife’s (Abigail Spaulding). Cora was the name chosen for their daughter, but nothing nearly so normal for their two sons—Viceroy and Vilroy.

By 1860 Lafayette was the pre-eminent dance caller around, and for the next thirty years, his music brought joy to thousands. There was some extra money to be made doing it, but Spaulding was driven by a love for music and performing.

His showmanship was memorable, characterized by two main features. First, he would gladly play once his seating was properly prepared—a chair placed atop a table.

That afforded him full view of the dance floor, which led to another of Lafayette’s favorite pastimes—correcting any dancers who messed up the steps. Spotting an offender, he would stop the music, and to great exaggeration and lots of laughter, Spaulding would correct everyone, offering proper instructions before the music resumed. He managed a running commentary even while calling the dance. The public loved it.

By the mid-1890s, Lafayette was a local legend and had friends beyond count. He was in great demand, and though it seemed like he should be slowing down at the age of 65 (life expectancy then was 48), the best—or at least the biggest—was yet to come.

In late 1899, Spaulding was approached by J. Wesley Rosenquest, manager of the 14th Street Theatre in New York City. Rosenquest had already completed two highly successful runs of The Village Postmaster, a play written by Alice Ives and Jerome Eddy. The story was based on traditional New England life, and Act 2 began with a dance scene. Lafayette was to play the fiddle and call the dance. The skill he had developed in his own act (correcting dancers) was put to use in choreographing the scene.

He joined the theatre company at Troy to rehearse, and a month later, at Christmas, the show opened in New York City to a packed house. The success continued to rave reviews in The New York Times and other newspapers. Said one writer, “Probably the member of the cast who aroused the most interest was “Laffy” Spaulding, the Adirondack Guide, who called the dances. The amusing incidents of the 2nd act, in the Donation Party scene, caused much laughter.”

And in case you’re wondering, yes, it’s true: back then, when a man from “up north” somehow made it into the city newspapers, he was more often than not referred to as an Adirondack Guide.

Six months shy of his 70th birthday, Lafayette was a hit on Broadway and loving every minute of it. He informed friends of his latest ventures, including lunch with the head of a 5th Avenue jewelry firm, and dinner with a millionaire admirer.

In late January, plans were made for the play’s three-week stint covering Brooklyn and Jersey City before touring the western part of the state. By September, he was back at home enjoying his new-found celebrity status.

Lafayette resumed performing in the Lake Champlain area, just as he had always done. A snippet from one report is classic Spaulding: “La Fa [as he was known] Spaulding, of New York theatre fame, made a decided hit. His old fashioned music and manner of calling the changes were amusing, and his way of correcting mistakes, though somewhat abrupt, created uproarious laughter.”

One of his last appearances was in 1905 at the Union Opera House in Ticonderoga. It must have been something to see when the 75-year-old took the stage, prompting this description: “The dancing of ‘Honest John,’ with Lafayette Spaulding as fiddler, brought down the house and revived fond memories of olden times in the minds of the older persons present.”

In November 1907, at the age of 77, Lafayette Spaulding died. Perhaps fittingly, he was found seated upright in his chair as if ready to call the next dance.

Photo: Above, the 14th Street Theater in 1936, shortly before it was torn down- Below, an advertisement at the beginning of Spaulding’s theater run (December 1899).

Lawrence Gooley has authored ten books and dozens of articles on the North Country’s past. He and his partner, Jill McKee, founded Bloated Toe Enterprises in 2004. Expanding their services in 2008, they have produced 19 titles to date, and are now offering web design. For information on book publishing, visit Bloated Toe Publishing.

Fife & Drum Corps Muster at Fort Ti on Saturday

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Fort Ticonderoga celebrates more than eight decades of Fife and Drum Corps performance with its annual Fife and Drum Corps Muster on August 6. The muster will highlight several Fife and Drum Corps from across the northeast and as far away as Michigan performing throughout the day. The muster will crescendo into a combined Fife and Drum Corps performance at 3:30 pm on Fort Ticonderoga’s Parade Ground.

This event highlights the role Fife & Drum music has played in the commemoration of American history. Fife and Drum Corps gained increased popularity during the American bicentennial celebrations. In 18th Century military life, fifes and drums served as one of the primary modes of battlefield communication and camp regulation.

Fort Ticonderoga formed its first Fife and Drum Corps in 1926 on the eve of the 150th anniversary celebrations of American Independence. The Corps performed at the Fort each summer until the beginning of World War II. When the World’s Fair came to New York City in 1939, the Fife and Drum Corps was a featured performer on May 10th, Fort Ticonderoga Day celebrating the 164th anniversary of the capture of the Fort by Ethan Allen, Benedict Arnold and the Green Mountain Boys.

In 1973, in preparation for the bicentennial, Fort Ticonderoga revived the fife and drum corps to perform daily during the Fort’s summer season. The fife and drum corps has performed every year since and has been featured performers at many major public events including the 1980 Lake Placid Winter Olympic Games, the christening of the US Navy Guided Missile Cruiser USS Ticonderoga CG-47, and several Evacuation Day parades in Boston, Massachusetts.

Today the Fife and Drum Corps is comprised of Ticonderoga area high school students who are paid employees of Fort Ticonderoga, a private non-profit organization. The Fife and Drum Corps is part of Fort Ticonderoga’s Interpretive Department whose focus brings to life Fort Ticonderoga’s specific history through daily interpretive programs, historic trades and special events.

Fort Ticonderoga’s full schedule and information on events can be found online or phone (518) 585-2821. Fort Ticonderoga is located at 100 Fort Ti Road Ticonderoga, New York.

Photo: Fort Ticonderoga’s Fife and Drum Corps Performs at Fort Ticonderoga.

Olana Civil War Event: Rally Round the Flag

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The 77th New York Regimental Balladeers will present a free concert of music popular during the Civil War along with letters and commentary from and about the war. The music starts at 2 PM on the East Lawn at Olana State Historic Site on Saturday, August 13, 2011. There is a $5 per car fee at the entrance to the park- bring your own blankets and chairs- the concert is from 2 – 4 PM.

The 77th New York has appeared many times at Olana, each time to an enthusiastic response. This year, their performance is part of the Sesquicentennial observances of the Civil War taking place throughout the country. The 77th New York will provide a look at the war from a musical perspective. Dressed in authentic reproductions of historic uniforms and costumes, the 77th New York provides a musical and narrative story of both sides in the painful and bloody conflict

The Civil War is of importance to Olana because of its relevance to Frederic Church, his art, and his family. While Church did not fight in the Civil War, he supported it financially- some of his greatest works, like Icebergs and Cotopaxi, were produced during this time. He and his family, like so many in this country, suffered the deaths of dear friends in the conflict. Long time friend and author Theodore Winthrop was lost in one of the first battles of the war- later friend and fellow Connecticut artist John Jameson died at the infamous Andersonville prison camp.

Currently, an exhibit, Rally ‘round the Flag: Frederic Edwin Church and the Civil War, is featured in the Evelyn and Maurice Sharp Gallery. The exhibit explores the Civil War connection to the artist and the country- it also provides a look at the paintings and a career cut short by the conflict, the works of Church’s young friend and artist, John Jamison.

Free August Music Series at Saratoga Battlefield

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The race track in Saratoga Springs may be quiet on Tuesdays, but Saratoga Battlefield will be alive with music. Friends of Saratoga Battlefield will sponsor four free lunchtime concerts at Saratoga National Historical Park’s visitor center located on Route 32 and 4 in Stillwater. Bring a lunch and listen to a different program each week: folk, classical and martial music.

August 2­ Rich Bala &#8211 Find out how waterways and canals shaped New York’s history from colonial times to the end of the 19th century on a musical tour by acclaimed folk singer Rich Bala.

August 9­ Elizabeth Huntley &#8211 How much more elegant can things get? Sublime music of the 18th century performed on the harp, sublime views of the Saratoga Battlefield from the Visitor Center lawn. Enjoy classical pieces played upon the Queen of Instruments performed by harpist Elizabeth Huntley.

August 16­ Dave Ruch &#8211 Dave Ruch presents Traditional and Historical Songs of New York. Lively presentations of songs and ditties from all corners of the Empire State. These are the songs of real-life &#8220Yorkers&#8221 from the past &#8211 farmers, lumbermen, immigrants, children,Native Americans, canallers, lake sailors and more &#8211 collected through considerable research, and interpreted for all to enjoy with banjo, guitar, mandolin, bones, spoons and more. (This Speakers in the Humanities event is made possible by the National Endowment for the Humanities and the New York State Legislature.)

August 23­ Fort Ticonderoga Fife and Drum Corps &#8211 Martial music at its best. The Fort Ticonderoga Fife and Drum Corps performs tunes that may have wafted over the landscape mingled with the gun smoke during the Battles of Saratoga.

Saratoga National Historical Park offers a variety of programs. For additional information call (518) 664-9821 ext. 224 or visit www.nps.gov/sara

Photo: Fort Ticonderoga Fife & Drum Corps (Provided).

A Black River Canal Musical Mystery

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Dave Ruch, a researcher of traditional and historical songs of New York who also teaches and performs that music, recently offered the lyrics to a canal song he believes may refer to the Black River Canal. The song was related by Des Powell (who was living in Arizona at the time) to folklorist Sam Eskin in 1946. According to Ruch at the bottom of Eskin’s notes he scribbled &#8220Black River Canal&#8221.

O! it’s nine miles to my darlin’, nine miles to go,
Nine miles on the old Rome haul
Gee this boat is slow
O! if ever I get back to my darlin
I ain’t gonna leave her no more
Gonna Settle down in old Rome town and open up a country story

First you pass a foundry and then you pass a mill
Then you pass Walt Waterbery’s place the other side of the hill
Then you pass a graveyard and then a bridge that’s low
Then it’s 9 more miles to my darling

O when last I saw my darlin, she was standin in the toll-house door
The tears run down her pretty little cheeks and they fell with a splash on the floor
O, if ever I get back to my darlin I ain’t gonna leave her no more
gonna settle down in old Rome town and open up a country store
By God and open up a country store.

If that second verse rings a bell, contact Dave Ruch at [email protected].

Black History Month at Brooklyn Museum

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The Brooklyn Museum’s First Saturday attracts thousands of visitors to free programs of art and entertainment each month. The February 5 event celebrates Black History Month and the contributions of African Americans during the thirties, forties, and fifties with programs inspired by the exhibition Lorna Simpson: Gathered.

Throughout the evening, a cash bar will offer beer and wine, and the Museum Cafe will serve a wide variety of sandwiches, salads, and beverages. The Museum Shop will remain open until 11 p.m.

Some Target First Saturday programs have limited space available and are ticketed on a first-come, first-served basis. Programs are subject to change without notice. Museum admission is free after 5 p.m. Museum galleries are open until 11 p.m. Parking is a flat rate of $4 from 5 to 11 p.m.

Highlights include:

5-7 p.m. Music
The Fat Cat Big Band plays bebop and swing.

5:30 p.m. Film
The Great Debaters (Denzel Washington, 2007, 126 min., PG-13). True story of Melvin B. Tolson, a professor at Wiley College in Texas who inspired students to form the school’s first debate team in the segregated South of 1935. Writer Trey Ellis introduces the film and leads a discussion following the screening. Free tickets are available at the Visitor Center at 5 p.m.

6-7 p.m. Discussion
Writer Kalia Brooks on Lorna Simpson: Gathered.

6:30-8:30 p.m. Hands-On Art
Create a triptych portrait inspired by the work of Lorna Simpson. Free timed tickets are available at the Visitor Center at 5:30 p.m.

7 p.m. Curator Talk
Sharon Matt Atkins, Curator of Exhibitions, on Norman Rockwell: Behind the Camera. Free tickets are available at the Visitor Center at 6 p.m.

7-8 p.m. Interactive Project
Bring your photos to contribute to a collaborative artwork on African American history.

8 p.m. Young Voices Talk
Student Guides on American Identities: A New Look.

8-10 p.m. Dance Party
DJ Stormin’ Norman, resident DJ of Harlem’s Sundae Sermon, hosts a hip-hop and soul dance party highlighting African American contributions to music.

9-10 p.m. Artist Talk
Hank Willis Thomas discusses his installation Unbranded and issues of race and class in magazine advertisements.

9-10 p.m. Performance
The Small’s Jazz Club All-Stars play big-band music of the thirties, forties, and fifties.

Photo: Fat Cat Big Band. Photo Courtesy of the Artist.

Syracuses Clark Music Company, Melville Clark

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In Pulling Strings: The Legacy of Melville A. Clark, musician Linda Pembroke Kaiser explores the extraordinary career of Melville A. Clark (1883–1953), a musician, inventor, entrepreneur, community leader, and collector whose colorful story is largely unknown. The story is told by Kaiser, a musician who performs on the harp, piano, and guitar. She has published articles in the International Folk Harp Journal and has published and recorded an album of harp music, Lullabies for Earth Children.

Beginning with an account of Clark’s musical family, Kaiser chronicles the founding in 1859 of the Clark Music Company, of which Melville Clark became president in 1919. Originally just a tinkers shed, the business ultimately moved into a six-story building in the center of Syracuse. The Clark Music Company celebrates its 150th anniversary in 2010. Clark also combined his talents as a gifted musician and astute entrepreneur to start the first Syracuse Symphony Orchestra.

Kaiser recounts the development of the Clark Irish Harp, the first portable harp manufactured in the United States, that could easily play accidentals. There were other Clark inventions, such as the first nylon strings for instruments. In addition, Clark designed balloons that the British used in 1918 to drop more than 1,250,000 pamphlets over Germany.

Clark’s story unfolds in detail: a musical encounter with President Wilson, entertaining President F. D. Roosevelt, a visit to Buckingham Palace to present Princess Elizabeth with a music box, and the journey of a Clark Irish harp to Antarctica with Admiral Byrd.

Pulling Strings uncovers the life of a musical genius and also sheds light on a forgotten chapter in Syracuse history.

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