New York City

Camilo Jose Vergara Exhibit Features Harlem

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Photographs by MacArthur Foundation &#8220genius award&#8221 winner Camilo Jose Vergara, will be on display at the New-York Historical Society in two rotations — Harlem: The People on view through June 10 and Harlem: The Place, from June 13 through September 16. The photographs in both exhibitions, part of the original 2009 exhibition Harlem 1970-2009, explore the effervescent neighborhood of Harlem by showing the transformation of the area over the past 40 years.

The images in Harlem: The People and Harlem: The Place show streetscapes that the photographer visited repeatedly over the course of thirty-eight years, so he could create a composite, time-lapse portrait of a vibrant, world-famous neighborhood seen as a place of ongoing transformation. The series has become a living historical record of Harlem. Vergara has been photographing this vital neighborhood of New York City since 1970, and in doing so he demonstrates, with powerful “before” and “after” images, how one of New York City’s most important neighborhoods has been redefined. As such, Vergara also captures the social and cultural changes in Harlem as he returns to photograph the same street corners and storefronts year after year. He continues to photograph these locations today and writes about his process:

&#8220For a long time I have thought of myself as more a city builder than as a photographer. I think of my images as bricks which when placed next to each other give shape and meaning to a place. I see the images of neighborhoods arranged according to time and location, each one … linking the hundreds of stories that are a place’s history. This is how photographs tell how Harlem evolved and what it gained and lost in the process.&#8221

Selected from the artist’s archive on the Invincible Cities website, the exhibition includes a sequence of photographs showing the evolution of Harlem, its buildings and its people—from the murals that used to condemn racism to advertisements for sports cars, liquor and young rappers- from shops owned by Koreans and West Indians to corporate franchises- from an incubator for struggling churches to famous landmarked churches that attract busloads of visitors from around the world.

All of these historically compelling photographs were donated to the New-York Historical Society by Camilo Jose Vergara in 2009.

Preservation Conference: NYC Public, Open Spaces

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The Historic Districts Council (HDC), the citywide advocate for New York City’s historic neighborhoods, will host its 18th Annual Preservation Conference, “The Great Outside: Preserving Public and Private Open Spaces,” March 2-4, 2012.

“The Great Outside” will focus on significant open spaces and landscapes in New York City, including public parks, plazas, parkways, yards, planned communities and public housing. Participants will examine a variety of issues such as development history, current threats, preservation efforts and future use. Speakers will address both broad issues as well as smaller, neighborhood-based battles. Attendees will gain a strong understanding of how open space conservation and preservation works in New York City. The conference is co-sponsored by more than 200 community-based organizations from across the five boroughs.

The conference begins on the evening of Friday, March 2 with an opening reception and a keynote address, “Change, Continuity and Civic Ambition: Cultural Landscapes, Design and Historic Preservation,” by Charles A. Birnbaum, founder and president of the Cultural Landscape Foundation, the country’s leading organization dedicated to increasing the public’s awareness and understanding of the importance and irreplaceable legacy of its cultural landscapes. This event will take place from 6-8pm at New York Law School, 185 West Broadway in Manhattan.

The conference continues Saturday, March 3 with two panels examining the preservation of public and private open space: distinguished speakers include author and curator Thomas Mellins- landscape architect Ken Smith- Thomas J. Campanella, Associate Professor of Urban Planning and Design at University of North Carolina- independent scholar Evan Mason, and Alexandra Wolfe of the Society for the Preservation of Long Island Antiquities. The Saturday conference will also present networking opportunities where attendees will learn about the latest campaigns dealing with open space concerns across the city. The Conference will be held at Cooper Union, 41 Cooper Square, between East 6th and East 7th Streets, Manhattan.

On Sunday, March 4, HDC will host five related walking tours in a diverse group of New York City neighborhoods and sites with significant public and private open spaces, including Sunnyside and Woodside in Queens, public and private plazas of Midtown Manhattan, Woodlawn Cemetery in The Bronx, the North Shore Greenbelt of Staten Island, and a bicycle tour of the changing waterfront of Williamsburg and Greenpoint in Brooklyn. Advance reservations are required.

Woodlawn Cemetery, The Bronx A National Historic Landmark with a stunning array of mausoleums and world class landscape design.

Midtown’s Public Plazas See the renowned as well as little-known public plazas that dot the landscape of Midtown Manhattan. Many were designed by prominent landscape architects as public amenities.

Northshore Greenbelt of Staten Island is part of the larger green belt that makes this the second largest area of city parkland in New York.

Sunnyside, Woodside and Beyond. This tour highlights a variety of significant landscapes including the early garden style housing of Sunnyside and the public housing in nearby Woodside.

Williamsburg and Greenpoint Waterfront Bicycle along this changing face of Brooklyn and learn about the large new waterfront towers, public parks and plans for the future.

HDC will offer several pre-conference programs with content related to open space issues. On February 5 at 8:30am at 232 East 11th Street, Andy Wiley-Schwartz, assistant commissioner of the city Department of Transportation, will present new and affordable pedestrian spaces created from underutilized street segments through the DOT Public Program. Both of these programs are free to the public.

Fees: March 2 Opening Night Reception and Keynote Address: $35, $30 Friends of HDC, Students & Seniors- March 3 Conference: $25, $15 for Friends of HDC & Seniors, Free for students with valid ID- March 4 Walking Tours: $25. Reservations are necessary for all programs.

For more information or to register for the Conference go to www.hdc.org or call (212) 614-9107.

The 18th Annual Preservation Conference is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City council and by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Additional support is provided by Councilmembers Inez Dickens, Daniel Garodnick, Stephen Levin and Rosie Mendez.

The conference is also co-sponsored by the New York Chapter, American Society of Landscape Architects and more than 200 Neighborhood Partner organizations.

Photo: Statue of George Washington (by Henry Kirke Brown, 1856) in the middle of Fourth Avenue at 14th Street, circa 1870- the statue was later moved to the center of Union Square Park. Courtesy Wikipedia.

Rabbit Goody at General Society of Mechanics & Tradesmen

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The General Society of Mechanics & Tradesmen of the City of New York, founded in 1785, continues to pay tribute to the art of craftsmanship, with five monthly lectures scheduled from January through May. The Artisan Lecture Series promotes the work and art of skilled craftsmen to assist in ensuring their unique knowledge is understood and carried forth for future generations. The Lecture Series is curated by General Society member, Jean Wiart, known for his many contributions to ornamental metalwork.

At her March 13 lecture Master Weaver Artisan, New York History contributor and Master Weaver Rabbit Goody, will lecture on the work of her weaving studio, Thistle Hill Weavers, a small mill modeled after the trade shops of the 19th century.

Goody has been in the weaving trade for over 35 years as a hand weaver, as a museum educator, and as a weaver and designer in her own small weaving mill. Her study of historic textiles and history of technology combine to allow her to weave reproductions using traditional methods and transitional technology.

You can see the work of Thistle Hill Weavers at many historic sites around the country, including George Washington’s Mount Vernon- Thomas Jefferson’s Monticello- The Henry Ford Museum- Harper’s Ferry National Park, Harper’s Ferry West Virginia- Stan Hywet Hall & Gardens, Akron, Ohio, Rock Hall, Lawrence, NY- The Farmers’ Museum, Cooperstown NY- Martin Van Buren’s home in Kinderhook, NY, and Valley Forge National Historic Park, Valley Forge, Pennsylvania. Thistle Hill also weaves for the film industry and has been a major contributor to over 50 films including John Adams, Road to Perdition, The Narnia series, Master and Commander, Life, The Prestige, Indiana Jones and the Crystal Skull, Beowulf and the movie Lincoln.

“The art of craftsmanship and the skill of craftsmen have always been celebrated and rewarded over the centuries,&#8221 curator Jean Wiart said. &#8220At the General Society, we want to assure that this special mastery for creating beautiful objects will survive down through the years and continue to be rewarded and prized.”

Other artisans in the lecture series will include Miriam Ellner, Verre Eglomise Artisan, April 10- and Gregory Muller, Master Stone Mosaic Artisan, May 8. Lectures are scheduled for 6:p.m. in The Library at 20 West 44th Street, New York City. More information can be found online.

Girl With a Pearl Earing Coming to the Frick

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The Frick Collection has announced that in the fall of 2013, it will be the final venue of an American tour of paintings from the Royal Picture Gallery Mauritshuis, The Hague. This prestigious Dutch museum, which has not lent a large body of works from its holdings in nearly thirty years, is undergoing an extensive two-year renovation that makes this opportunity possible. Between January 2013 and January 2014, the Mauritshuis will send thirty-five paintings to the United States, following two stops at Japanese institutions.

The American exhibition opens next winter at de Young/Fine Arts Museums of San Francisco, traveling on to the High Museum of Art in Atlanta for the summer of 2013. A smaller selection of ten masterpieces will be on view at The Frick Collection in New York from October 22, 2013, through January 12, 2014. Among the works going on tour are the famous Girl with a Pearl Earring by Johannes Vermeer and The Goldfinch by Carel Fabritius, neither of which will have been seen by American audiences in ten years.

Illustration: Johannes Vermeer (1632-1675), Girl with a Pearl Earring, c. 1665, oil on canvas, 44.5 x 39 cm, Mauritshuis, The Hague.

The Greatest Grid: The Master Plan of Manhattan

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Columbia University Press has announced the publication of The Greatest Grid: The Master Plan of Manhattan, 1811-2011, edited by Hilary Ballon, which includes more than 150 illustrations and a gatefold of the original plan. The book accompanies the exhibit of the same name which just opened at the Museum of the City of New York.

Laying out Manhattan’s street grid and providing a rationale for the growth of New York was the city’s first great civic enterprise, not to mention a brazenly ambitious project and major milestone in the history of city planning. The grid created the physical conditions for business and society to flourish and embodied the drive and discipline for which the city would come to be known. The Greatest Grid does more than memorialize such a visionary effort, it also serves as reference full of rare images and information.

The Greatest Grid shares the history of the Commissioners’ plan, incorporating archival photos and illustrations, primary documents and testimony, and magnificent maps with essential analysis. The text, written by leading historians of New York City, follows the grid’s initial design, implementation, and evolution, and then speaks to its enduring influence. A foldout map, accompanied by explanatory notes, reproduces the Commissioners’ original plan, and additional maps and prints chart the city’s pre-1811 irregular growth patterns and local precedent for the grid’s design.

This text describes the social, political, and intellectual figures who were instrumental in remaking early New York, not in the image of old Europe but as a reflection of other American cities and a distinct New World sensibility. The grid reaffirmed old hierarchies while creating new opportunities for power and advancement, giving rise to the multicultural, highly networked landscape New Yorkers are familiar with today.

Note: Books noticed on this site have been provided by the publishers. Purchases made through this Amazon link help support this site.

Black History Symposium to Examine Prison State

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The City College of New York Black Studies Program presents a symposium, “Confronting the Carceral State II: Activists, Scholars and the Exonerated Speak,” 1 – 7 p.m. Tuesday, February 14, in The Great Hall of Shepard Hall, 160 Convent Ave., New York City. The event, consisting of two panels of activists and scholars plus a book signing, is free and open to the public.

The symposium builds upon the work begun by “Confronting the Carceral State: Policing and Punishment in Modern U.S. History,” a symposium held in March 2010 at Rutgers University. &#8220At that conference,&#8221 a press statement from the organizers said, &#8220it was made abundantly clear that the mass incarceration of the poor and people of color was an issue that demanded not only study but action.&#8221

“Confronting the Carceral State II” is intended to inform and inspire study and action. All are welcome to join the audience and engage the panelists and each other in the discussion. The event program follows:

1 – 2 p.m. Reception and book signing for participating authors.

2 – 4 p.m. Panel One: Historical Perspectives:

Dr. Yohuru R. Williams, associate professor of African-American history, Fairfield University, moderator: &#8220I Am Troy Davis: The Execution Narrative and the Politics of Race in 21st Century America.&#8221

Dr. Donna Murch, associate professor of history, Rutgers University: “Towards a Social History of Crack: Drugs and Youth Culture in the Age of Reagan.”

Dr. Heather Thompson, associate professor of history, Temple University: “Ending Today’s Carceral Crisis: Lessons From History.”

Dr. Khalil Gibran Muhammad, director, The Schomburg Center for Research in Black Culture: &#8220Occupied Blackness: Urban Policing and the Inevitability of Stop and Frisk.&#8221

4 – 6 p.m. Panel Two: Activists and the Exonerated Speak:

Dr. Johanna Fernandez, assistant professor of Black and Hispanic Studies, Baruch College, moderator: “The New Phase in the Struggle to Release Mumia.”

Javier Cardona, arts & education director, Rehabilitation Through The Arts: “Doing Hope: Applying the Arts to Rehearse and Re-Create Life Within And Outside Prison.”

Dr. Ruth Wilson Gilmore, professor of geography, CUNY Graduate Center: “The Popular Front Against Mass Incarceration: Movement, Perils, Prospects.”

King Downing, program analyst, American Friends Service Committee: “Doing Justice Work.”

Felix A. Navarro, Jr., Leaders Against Systemic Injustice (LASI), City College Student Organization: “Opening The Eyes Of The Youth.”

Vanessa Potkin, senior staff attorney, The Innocence Project: “Addressing Wrongful Convictions.”

Raymond Santana and Korey Wise, “Exonerees From The Central Park Jogger’s Case.”

6 – 7 p.m. Reception and book signing for participants.

For more information, contact Professor Venus Green, 212-650-8656, [email protected]. To RSVP, please call 212-650-8117.

Photo: The Vernon C. Bain prison barge operated by the City of New York. This medium and maximum security prison facility houses 800 prisoners. It was built in 1992 at a cost of $161 Million. Courtesy Travels of Tug 44.

Americas First African American Woman Judge

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A long overdue biography of the nation’s first African American woman judge elevates Jane Matilda Bolin to her rightful place in American history as an activist, integrationist, jurist, and outspoken public figure in the political and professional milieu of New York City before the onset of the modern Civil Rights movement. Jacqueline A. McLeod’s, Daughter of the Empire State: The Life of Judge Jane Bolin is published by the University of Illinois Press (2011).

Bolin was appointed to New York City’s domestic relations court in 1939 for the first of four ten-year terms. When she retired in 1978, her career had extended well beyond the courtroom. Drawing on archival materials as well as a meeting with Bolin in 2002, historian Jacqueline A. McLeod reveals how Bolin parlayed her judicial position to impact significant reforms of the legal and social service system in New York.

Beginning with Bolin’s childhood and educational experiences at Wellesley and Yale, Daughter of the Empire State chronicles Bolin’s relatively quick rise through the ranks of a profession that routinely excluded both women and African Americans. Deftly situating Bolin’s experiences within the history of black women lawyers and the historical context of high-achieving black New Englanders, McLeod offers a multi-layered analysis of black women’s professionalization in a segregated America.

Linking Bolin’s activist leanings and integrationist zeal to her involvement in the NAACP, McLeod analyzes Bolin’s involvement at the local level as well as her tenure on the organization’s national board of directors. An outspoken critic of the discriminatory practices of New York City’s probation department and juvenile placement facilities, Bolin also co-founded, with Eleanor Roosevelt, the Wiltwyck School for boys in upstate New York and campaigned to transform the Domestic Relations Court with her judicial colleagues. McLeod’s careful and highly readable account of these accomplishments inscribes Bolin onto the roster of important social reformers and early civil rights trailblazers.

Author Jacqueline A. McLeod is an associate professor of history and African & African American studies at Metropolitan State College of Denver and co-editor of Crossing Boundaries: Comparative History of Blacks in Diaspora.

Note: Books noticed on this site have been provided by the publishers. Purchases made through this Amazon link help support this site.

The Grinnell at 100: Celebrating Community, History

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In 2010 and 2011, residents of the Grinnell, a land-marked cooperative apartment house at 800 Riverside Drive in Manhattan’s Audubon Park Historic District, celebrated their building’s centennial with a year of activities including the launch of a centennial website, logo and photography competitions, and a birthday celebration for the neighborhood. Grinnell residents have now produced a book commemorating that centennial year, The Grinnell at 100: Celebrating Community, History.

Through a historical essay, numerous personal histories, biographical sketches, and 150 photographs and illustrations, the 94-page, full-color book traces a half-acre triangular block in northern New York City from primordial forest to a 21st-century co-operative apartment house.

Constructed between June 10, 1910 and July 29, 1911, the Grinnell sits on a triangular plot of land in Washington Heights where the family of George Blake Grinnell once pastured a few cows when the surrounding area was known as Audubon Park. “The Park,” a bucolic suburb that grew out of John James Audubon’s farm Minnie’s Land, remained suburban into the 20th Century, but became prime property for real estate development when the subway opened at 157th Street in November 1904. Six years later, when the extended Riverside Drive opened, its path crossing Audubon Park, the Grinnell heirs, led by eldest son George Bird Grinnell, sold their property. Developers quickly snapped it up and between 1909 and 1911 erected a group of Beaux Arts apartment houses. Noting the effects of rapid transit, newspaper commentators dubbed the two-year period Audubon Park’s “rapid transformation.”

Edited by Matthew Spady and designed by Jacqueline Thaw, featuring photographs by Charles Baum and Mo Strom, and contributions from more than 30 Grinnell residents, The Grinnell at 100 is a must-have edition for anyone with an interest in the history of New York City, Washington Heights, or the Audubon Park Historic District – and of course the book will interest Grinnell residents, friends, and admirers, past and present.

The Grinnell at 100: Celebrating Community, History, and an Architectural Gem, available at Lulu.com. For information about discounts on purchases of multiple copies, contact [email protected].

Note: Books noticed on this site have been provided by the publishers.

Brooklyn Museum Plans New Museum Gift Shop

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A completely new, significantly larger Brooklyn Museum Gift Shop, designed by the architectural firm Visbeen Associates, is opening Wednesday April 4, 2012 in space previously devoted to temporary exhibitions. At 4,150 square feet, the new shop is 1,600 square feet larger than the shop it replaces. The store is part of a multiphase transformation of much of the Museum’s first floor designed by Ennead Architects that has already resulted in an extensive renovation of the Museum’s historic Great Hall and the creation of a major new exhibition space.

&#8220The major goals of the new design for the first floor of the Museum have been to create a more coherent visitor experience, larger footprints for the Museum’s shop, restaurant, and exhibition galleries, and space to create a remarkable installation of major works from the Museum’s permanent collections,&#8221 comments Museum Director Arnold L. Lehman.

&#8220The design for the new Museum Shop has created a significantly enhanced shopping environment for our visitors along with an exciting new approach to merchandising. The shop will offer a fresh selection of unique items related to the world cultures represented in the Museum’s rich permanent collection. An important feature will be products from both established as well as emerging Brooklyn designers and artisans,&#8221 states Vice Director of Merchandising Sallie Stutz.

The newly created store will be organized around an arc shape that will be reflected in a curved jewelry counter in the center that forms the focal point of the space and will be echoed in a coffered ceiling containing recessed lighting. Two light fixtures, created by Brooklyn artist David Weeks, will be focal points of the design. The shop will feature 225 linear feet of lightly stained oak casework with metal fittings, with additional free standing fixtures in which merchandise will be displayed.

The new space, along the east side of the front facade of the building, was originally built in 1904 and is one of the oldest sections in the nearly 600,000-square-foot landmark building designed by McKim, Mead, & White. A wider entrance to the shop from the Lobby will provide greater visual access to the Great Hall, assisting circulation, and a rear entrance will connect it to planned temporary exhibition galleries.

One of the first in a museum in the United States, the Brooklyn Museum Shop began in 1935 as a sales desk offering publications, postcards, and photographs of objects in the Museum’s collections. In 1954 it evolved into a Gallery Shop that specialized in toys and original folk art and crafts from around the world, as well as objects related to special exhibitions. In 1963-64, the Museum Shop produced the first shopping bag created by a museum, featuring a four-color graphic.

Following the April opening of the Museum Shop, the next phase of the first-floor transformation, scheduled for completion in late summer of 2012, will include a new Museum restaurant and cafe, a bar, and an outdoor dining terrace, all planned to be opened for lunch and dinner. The dining room will also accommodate special functions. Casual dining areas will overlook the Steinberg Family Sculpture Garden. There will be direct access to the various dining areas and bar from the Museum’s 350-car parking lot.

The final phase of the first-floor renovation will transform space that has been occupied by the current Museum Cafe into special exhibition galleries that will add 50 percent more floor space to the previous temporary exhibition gallery, the Robert E. Blum Gallery.

The first-floor renovation continues a major redesign of the Museum’s ground level that began in 2004 with the opening of the Martha A. and Robert S. Rubin Pavilion, the Ennead-designed and critically acclaimed front entrance, as well as the renovated lobby, newly created front plaza and South Entrance, and expanded parking facilities.

Major support for the Museum’s extensive first floor renovation project has been provided by the City of New York through the Department of Cultural Affairs and the City Council.

Support has also been provided by Martha A. and Robert S. Rubin, Arline and Norman M. Feinberg, and Lisa and Dick Cashin.

Illustration: Brooklyn Museum Retail Shop Sketch by Visbeen Associates.

Ten Tea Parties: Protests that History Forgot

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Everyone knows about the Boston Tea Party, where angry colonists hurled 92,000 pounds of tea into Boston Harbor, but few realize it was part of a larger movement that swept across the colonies through the late 1700s. New York, New Jersey, Pennsylvania, Maine, North Carolina all had their own versions of the now celebrated theft and destruction of private property protest. A new book by historian Joseph Cummins, Ten Tea Parties: Patriotic Protests that History Forgot, (Quirk Books, 2012) highlights some of those protests, and includes an appendix with eight more.

Cummins includes the story of Philadelphian Samuel Ayres, who was nearly tarred and feathered by a mob of 8,000 patriots, and that of Annapolis, MD, where 2,320 pounds of tea was burned to ashes. He also includes a short history of the East India Company, which was the world’s most powerful trading company for 250 years and relates how the men who participated in the Boston Tea Party kept their identities hidden for over 40 years fearing civil suit from the East India Company.

Note: Books noticed on this site have been provided by the publishers. Purchases made through this Amazon link help support this site.