Pop Culture History

77th New York Regimental Balladeers at Olana

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Sunday, October 10th, from 1-3 p.m., at Olana State Historic Site, the New York 77th Regimental Balladeers will reenact musical selections from the Civil War era.

Co-founded by John C. Quinn and Michael Yates, the 77th New York Regimental Balladeers are dedicated to preserving the songs, history and spirit of the 1860s. John, Mike, and fellow Balladeers John Perreault, Jim Broden and Kathleen Ross use the original Civil War music arrangements and lyrics to convey the thoughts, motives, and sorrows of the men and women who lived during one of the most defining periods of our American heritage. The songs are sung as they would have been performed in camp or the family parlor 138 years ago.

A $5 per vehicle grounds fee includes the performance. House tours will be available on a first come, first served basis starting at 10 a.m., with the final tour of the day beginning promptly at 4 p.m. Come early to ensure tour availability and shorter wait times. House tour tickets are $12/adult, $10/student or senior. Children under age 12 receive free tour tickets! Call 518-828-0135 for information.

Olana, the home and studio of Hudson River School artist Frederic E. Church, is a New York State Historic Site and a National Historic Landmark. It is located at 5720 Route 9G in Hudson. Olana is one of six historic sites and 15 parks administered by New York State Office of Parks, Recreation and Historic Preservation – Taconic Region. The Olana Partnership is a private, not-for-profit organization, which works cooperatively with New York State to support the preservation, restoration, development, and improvement of Olana State Historic Site. Call 518-828-0135, visit www.olana.org for more information.

Commentary: Demolition of Marx Brothers Place

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The following commentary and call to action was issued by the 93rd Street Beautification Association and is reprinted here in it’s entirety for your information:

Anybody who has been paying the slightest bit of attention to the doings of Marx Brothers Place over the last few years knows full well that the New York City Landmarks Preservation Commission (LPC) has dispatched numerous letters refusing the community’s request to calendar this historic block for a public hearing. The LPC’s lack of interest in landmarking historic Marx Brothers Place is nothing new: It’s legendary.

In fact, it was precisely the LPC’s anemic response to Marx Brothers Place that inspired the broad coalition of advocates to speak out in support of extending the Carnegie Hill Historic District (CHHD) so as to include the incomparable collection of historic structures on East 93rd Street before the entire block is marked with a big red X for the wrecking ball.

Notoriously, historic districts have been repeatedly rejected by the LPC for years &#8211 a commission into whose vortex designation requests (RFEs) disappear like socks in the dryer &#8211 and languished without legal protection from demolition before finally being calendered and properly designated.

The community coalition which robustly supports designating historic Marx Brothers Place &#8211 and includes the 93rd Street Beautification Association- Carnegie Hill Neighbors- Historic Districts Council- New York Landmarks Conservancy- Place Matters (a collaboration of the Municipal Arts Society and Citylore)- Members of the Marx Brothers family- Woody Allen- Bob Weide- Andrew Berman- Bronson Binger- Michael Devonshire- 93rd Street Block Association- Brewery Hill Block Association- Assemblyman Micah Kellner- Assemblyman Jonathan Bing- NYC Council Member Jessica Lappin- NY State Senator Jose Serrano- Manhattan Borough President Scott Stringer and countless other preservationists, homeowners, residents, artists and historians &#8211 has been battling against the LPC’s lethargy toward historic Marx Brothers Place since day one.

Backed by the uncompromising historic evidence &#8211 research unearthed by a Preservation historian at Columbia University’s acclaimed Graduate School of Architecture & Historic Preservation &#8211 this massive community coalition continues its efforts to try to enlighten and educate the LPC as to the fact that Marx Brothers Place not only meets the criteria for landmarking in NYC, it surpasses it.

Make no mistake: The Marx Brothers Place community coalition stands resolute in its position that this world famous block in Carnegie Hill warrants immediate protection from indiscriminate demolition because of its historic, cultural and architectural significance.

So on Monday, July 19 &#8211 when Community Board 8&#8242-s (CB8&#8242-s) Landmarks Committee voted 7-0 (with one abstention) to send a powerful message to the LPC resolving that this important historic block should be landmarked by the city &#8211 this devoted community coalition had much to celebrate when, after years of advocating, it had successfully moved that much closer to its goal.

And had the 93rd Street Beautification Association’s request to CB8 gone according to normal procedure, the next step in this public process would have been for CB8&#8242-s Landmarks Committee to present to the Full CB8 Board the fact of its overwhelmingly 7-0 vote and the reasons the Committee had decided to so strongly support the request to landmark historic East 93rd Street. But, as many of you know by now, what followed was anything but &#8216-normal procedure’.

NYC Council Member Dan Garodnick had insisted that the 93rd Street Beautification Association first get the blessing of CB8 before he would be willing to wield his influence in asking the LPC to calender Marx Brothers Place for a public hearing. But then instead of celebrating the Association’s 7-0 victory before CB8&#8242-s Landmarks Committee, the Council Member chose instead to turn his back on his constituents and, without so much as a heads-up to the Association, furtively did his level best to undermine the preservation campaign’s progress.

On Wednesday, July 21 &#8211 the same day that the full CB8 Board was scheduled to vote on Marx Brothers Place &#8211 CM Garodnick reportedly contacted a co-chair of CB8&#8242-s Landmarks Committee, Jane Parhsall, to offer her copies of a stale letter he had received from the LPC dated May 26, 2010.

The &#8216-Garodnick letter’ &#8211 as it has come to be known &#8211 was not a revelatory piece of news and its boilerplate language was nothing more than the same old, same old misinformation that the coalition has been disputing for years (it should also be noted that despite repeated requests, CB8 has &#8211 to date &#8211 failed to provide the Association with a copy of the &#8216-Garodnick letter’ which it only allowed the Association to see after CB8 Landmarks Committee co-chair Parshall had already dramatically misrepresented its contents to the entire CB8 audience before the full CB8 Board vote on July 21).

While deliberately overstating the import of yet one more of the LPC’s perennial letters &#8211 brushing off the request to calender Marx Brothers Place for a public hearing &#8211 CM Garodnick and CB8&#8242-s Parshall sorely underestimated the public interest in landmarking this storied block.

Smacking of the sort of dirty, petty politics the public has come to expect from its elected and appointed officials &#8211 who time and time again fail the public while proving unworthy of carrying out the people’s business &#8211 Garodnick and Parshall’s blatant breach of the public trust in the process to which Marx Brothers Place is due smells riper than a rotten fish.

Thanks for your continued interest in historic Marx Brothers Place!

For more information about the 93rd Street Beautification Association or Marx Brothers Place, contact [email protected] or 212.969.8138 or visit the blogs at Save Marx Brothers Place or The Marx Brothers Place Report.

You can also follow Marx Brothers Place on Twitter @93rdStreet, Facebook @ Save Marx Brothers Place, YouTube @ Marx Brothers Place and on MySpace @ Marx Brothers Place.

To make a tax-deductible contribution to the preservation campaign, click here.

Mark Twain in the Adirondacks

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As fans of Mark Twain the world ‘round await the fall release of his unexpurgated autobiography a century after his death, scholars, authors, teachers, and other admirers of Twain will gather on the time-carved shores of Lower Saranac Lake to draw a more intimate portrait of the writer and humorist and explore his indelible contributions to American life and letters.

On Saturday, August 14, Dr. Charles Alexander of Paul Smith’s College, Dr. Margaret Washington, Associate Professor of History at Cornell University, and beloved children’s author Steven Kellogg of Essex, NY, will headline the day-long “Mark Twain in the Adirondacks” program at Guggenheim Camp on Lower Saranac Lake.

Doors will open at 9:30 a.m. At 10:00 a.m., Dr. Alexander will explore Twain’s surprising connections to the Adirondacks, focusing on his retreat from the outside world to the Kane Camp on Lower Saranac Lake in 1901 and the little-known essay, “The United States of Lyncherdom”, Twain wrote when the news of lynchings in Missouri reached him there. So incendiary, Twain allowed publication of the essay only after his death.

At 11:00 a.m., Steven Kellogg will read passages from Adventures of Huckleberry Finn and share why he counts it among his favorite books. Dr. Washington will continue the focus on Huck Finn, guiding the audience through critical debates over the work since its publication in 1885 and Twain’s straightforward treatment of slavery and race.

Following their formal presentations, Kellogg, Washington and Alexander will invite the audience to participate with them in an open-ended conversation about Twain and his lasting influence and power to provoke even today, 100 years after his death.

In November, the University of California Press will publish the first of three volumes of Twain’s half-million word autobiography, most of which the author dictated to a stenographer over the course of the four years before he died in 1910. According to New York Times reviewer Larry Rother, “a very different Twain emerges, more pointedly political and willing to play the angry prophet” (NYT 10 Jul 2010).

“Mark Twain in the Adirondacks” will be held at the rustic Guggenheim. Complimentary coffee, tea and pastries will be provided in the morning and ice cream donated by Stewart’s Shops will be served during the afternoon conversation. People are encouraged to pack a lunch.

A $5 donation is requested for Guggenheim program. Optional hour-long boat tours to the privately-owned Kane Camp where Twain stayed will be offered in the afternoon, starting at 2:00 p.m. Sign-up for the tours is on a first come, first serve basis, beginning when the doors open at 9:30 am. Tickets for the boat tours are $20 each, which includes entrance to the talks at Guggenheim Camp.

“Mark Twain in the Adirondacks” is a joint project of Historic Saranac Lake, John Brown Lives!, Paul Smith’s College, Keene Valley Library, and Saranac Lake Free Library. On July 23, Keene Valley Library hosted Huck Finn Out Loud—a twelve-hour marathon reading of the novel. Volunteer readers and listeners from all walks of life hailed from across the North Country and from Paris, France.

North Country Public Radio is media sponsor of “Mark Twain in the Adirondacks”. Funding has been provided by New York Council for the Humanities, Stewart’s Shops, Cape Air, Paul Smith’s College, and International Paper-Ticonderoga Mill. For more information, contact Amy Catania, Director of Historic Saranac Lake at 518-891-4606 or Martha Swan, Director of John Brown Lives! at 518-962-4758.

History of American Musical Theater Program

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The Franklin County Historical & Museum Society presents &#8220America’s Song: A History of American Musical Theater in Word and Music,&#8221 a collaboration between Drew Benware and members of the Ithaca College School of Music, on Tuesday, July 13, 2010 at 7 pm. Admission is $10.00 per person, to benefit the Franklin County Historical Society. The program of toe-tapping favorites will be held in the Bobcat Cafe in the Joan Weill Student Center at Paul Smith’s College.

Drew Benware is a native of the North Country, having grown up in Malone, New York. Upon graduation from Franklin Academy, he enrolled at the Ithaca College School of Music where he received a degree in Music Education with a concentration on Trumpet in 2003. For the next three years, Drew served as the Director of Instrumental Music at Saranac Lake High School where he worked with the Concert Band, Jazz Ensemble, Pep Band, Parade Band, and annual Musical Theater Productions. Drew returned to Ithaca College to pursue a Master of Music degree in Choral Conducting, working with the renowned Larry Doebler and Janet Galvan. Among the high points of this period was a performance of Verdi’s &#8220Requiem&#8221 at Alice Tully Hall in Lincoln Center in New York City. Drew’s choral degree was put to use during the 2008-9 academic year during which he served as Director of Choral Activities at the Peru Middle/High School. Since that
time, he has been on the faculty at the Ithaca College School of Music as an Assistant Professor of Music Education, instructing courses in woodwind and brass techniques, instrumental conducting, wind instrument pedagogy, and acting as supervisor to both Junior and Senior level teachers. Drew also works closely with the nationally acclaimed Ithaca College Department of Theatre Arts, serving as faculty accompanist for the Musical Theater Workshop and performing in Pit Ensembles. Drew continues to serve as an active pianist, performing as music minister at All Saints’ Church in Lansing and as a frequent artist-collaborator including the 2009 Saranac Lake First Night Celebration. He
is active as a singer also, performing with the Saranac Lake Madrigal Singers and the Cayuga Vocal Ensemble, Ithaca’s only professional choir. He has provided musical direction or pit performances for several works of Musical Theater, among them &#8220Children of Eden,&#8221 &#8220Parade,&#8221 &#8220A Little Night Music,&#8221 &#8220Once On This Island,&#8221 &#8220The Music Man,&#8221 and &#8220Les Miserables.&#8221

The program will also feature performers from the Ithaca College School of Music and Department of Theatre Arts.

&#8220America’s Song&#8221 is co-sponsored by The Franklin County Historical & Museum Society and Paul Smith’s College. The Franklin County Historical & Museum Society, founded in 1903, preserves the history of Franklin County, NY through its House of History Museum and Schryer Center for Historical & Genealogical Reseach, located in Malone. It is supported by membership dues and donations, grants, and municipal support. Paul Smith’s College, the College of the Adirondacks is the only four-year private college in the Adirondack Park and is commited to experiential, hands-on learning.

For more information, please contact Anne Werley Smallman at 518-483-2750. Visit the Paul Smith’s College website for directions.

Dead Apple Tours Offers History of NYCs Deceased

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A new tour company is taking guests on a unusual look at New York City. The brainchild of Drew Raphael, a native New Yorker, Dead Apple Tours was inspired after watching fans gather outside the home of Heath Ledger immediately after the news of his death. Raphael figured with so many interesting locations in New York of famous and infamous accidental deaths, murders and suicides—why not collect a group of these experiences into one tour to get a fuller picture of the Big Apple? Why not present the “living history of New York’s deceased?” Dead Apple Tours gives passengers on its downtown tours a unique sightseeing experience in a rare, classic hearse that has been customized for a comfortable ride.

Highlights of the Dead Apple Tours include:

* The Soho spot where Heath Ledger spent his final hours.
* The secret of the “Hangman’s Elm” and “Dead Man’s Curve.”
* The Little Italy locale where mobster “Crazy Joe” Gallo ate his last bowl of pasta
* The spot where Sid Vicious allegedly killed girlfriend Nancy Spungen as well as the location where he eventually overdosed himself, and more.

The star of Dead Apple Tours is “Desdemona”- one of only 478 Cadillac Superior Crown Royale Hearses made in 1960 and believed to be one of only a handful left in existence today. This deluxe vehicle has been painstakingly restored and customized to provide a comfortable, modern ride in plush seats with the comfort of air conditioning, WiFi and video screens to help complete the story-telling adventure.

The downtown tour runs approximately two hours, starting at the Empire State Building and ending at the South Street Seaport. Winding through the streets of lower Manhattan participants learn “New York City Death Fun Facts” while Dead Apple Tours takes them to the exact locations the most famous deaths occurred.

Andy Warhol Pinata, High Style at Brooklyn Ball Gala

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The Brooklyn Museum will celebrate the major exhibition American High Style: Fashioning a National Collection and the landmark collection-sharing partnership between Brooklyn and the Metropolitan Museum of Art at its annual gala, the Brooklyn Ball, on Thursday evening, April 22, 2010.

This year’s Brooklyn Ball will feature a giant twenty-foot-tall pinata in the shape of Andy Warhol’s head, which is part an interactive dining experience designed by Jennifer Rubell titled &#8220Icons.&#8221 The pinata is currently on view in the Museum’s Rubin Pavilion.

The event will begin at 6:30 p.m. with cocktails and hors d’ oeuvres in the Morris A. and Meyer Schapiro Wing on the fifth floor and an exclusive opportunity to preview American High Style. Featuring some eighty-five masterworks from the newly established Brooklyn Museum Costume Collection at the Metropolitan Museum of Art, the exhibition traces the evolution of fashion in America from its nineteenth-century European beginnings through the twentieth century. It marks the first time in more than two decades that a large-scale survey drawn from this preeminent collection will be on public view.

Included in the exhibition will be creations by such legendary American designers as Charles James, Norman Norell, and Gilbert Adrian- works by influential French designers including Charles Frederick Worth, Elsa Schiaparelli, Jeanne Lanvin, Givenchy, and Christian Dior- and works by such first-generation American women designers as Bonnie Cashin, Elizabeth Hawes, and Claire McCardell. Among the objects presented will be Schiaparelli’s Surrealist Insect Necklace, considered by experts to be one of the most important works in the collection- elaborate ball gowns and day wear by Charles James- evening ensembles by Yves Saint Laurent, Halston, Scaasi, and Mainbocher- street wear by mid-twentieth-century designers Vera Maxwell, Claire McCardell, and Elizabeth Hawes- a group of hats by celebrated milliner Sally Victor- and dazzling evening wear by Norman Norell.

The Brooklyn Museum’s groundbreaking collection-sharing partnership with the Metropolitan Museum of Art went in to effect in January 2009. At that time Brooklyn’s renowned costume collection of 23,500 objects, acquired over the course of a century, was transferred to the Costume Institute of the Metropolitan Museum
of Art, where it is fully integrated into the Institute’s program of exhibitions, publications, and education initiatives and remains available for exhibition at the Brooklyn Museum.

Co-chairs for this year’s Ball celebrating American High Style include chef and restaurateur Mario Batali and his wife Susan Cahn, European Editor-at-Large for Vogue Hamish Bowles, New York Times Style Editor Stefano Tonchi, Museum Trustee Stephanie Ingrassia, decorative arts specialist and educator Susan Weber, photographer Annie Leibovitz, fashion designer Zac Posen, and collector Carla Shen.

An interactive dining experience, designed by Jennifer Rubell, whom New York Times senior critic Roberta Smith credits with “laying waste to the prolonged ordeal that is the benefit dining experience,” will begin at 8 p.m. in the magnificent Beaux-Arts Court on the third floor. The interactive food journey through the Museum is titled Icons and includes drinking paintings, suspended melting cheese heads, and a larger-
than-life dessert surprise. A hybrid of performance and installation art, Rubell’s food projects deconstruct the ritual of the meal and are often of monumental scale.
During the evening, the Brooklyn Museum will honor the Andrew W. Mellon Foundation and former Mellon Program Officer Angelica Rudenstine. Donald Randel, Mellon Foundation president, will accept the Museum’s highest honor, the Augustus Graham Medal, on their behalf.

Immediately following the Ball, the Museum will host High Style: The After Party in the Martha A. and Robert S. Rubin Pavilion. The festivities will feature artists’ fashions and dancing to live music. Tickets to the Ball range from $500 to $1,500, and tables are available from $5,000 to $50,000. All tickets to the Ball include admission to High Style: The After Party. Tickets to the after party start at $75. Further information about ticket options and table purchases is available by e-mailing [email protected] or by phoning (718) 501-6423. Proceeds from the event will support the Museum’s public and education programs.

The Augustus Graham Medal is being presented to the Andrew W. Mellon Foundation in recognition of its outstanding support of the Brooklyn Museum, including funding for the survey of the costume collection and the endowment of curatorial positions at the Museum. Through the foundation’s generosity, the first complete inventory, collection review, digital photography, and cataloguing of the Museum’s holdings of approximately 23,500 American and European costumes and accessories has been completed.

More than 5,800 of the most important works are now available to scholars, students, and the public through ARTstor, an innovative online initiative of the Mellon Foundation that provides access to curated collections of art images and associated data for noncommercial, scholarly, and not-for-profit educational use.

The Augustus Graham Medal is named after one of the founders of the Brooklyn Apprentices Library in 1823. That institution, which Graham nurtured and expanded, grew into the Brooklyn Institute and later became the Brooklyn Museum.

Brooklyn Museum to Host Annual Brooklyn Ball

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The Brooklyn Museum will celebrate the major exhibition &#8220American High Style: Fashioning a National Collection&#8221 and the landmark collection-sharing partnership between Brooklyn and the Metropolitan Museum of Art at its annual gala, the Brooklyn Ball, on Thursday evening, April 22, 2010.

The event will begin at 6:30 p.m. with cocktails and hors d’ oeuvres in the Morris A. and Meyer Schapiro Wing on the fifth floor and an exclusive opportunity to preview American High Style. Featuring some eighty-five masterworks from the newly established Brooklyn Museum Costume Collection at the Metropolitan Museum of Art, the exhibition traces the evolution of fashion in America from its nineteenth-century European beginnings through the twentieth century. It marks the first time in more than two decades that a large-scale survey drawn from this preeminent collection will be on public view.

Included in the exhibition will be creations by such legendary American designers as Charles James, Norman Norell, and Gilbert Adrian- works by influential French designers including Charles Frederick Worth, Elsa Schiaparelli, Jeanne Lanvin, Givenchy, and Christian Dior- and works by such first-generation American women designers as Bonnie Cashin, Elizabeth Hawes, and Claire McCardell. Among the objects presented will be Schiaparelli’s Surrealist Insect Necklace, considered by experts to be one of the most important works in the collection- elaborate ball gowns and day wear by Charles James- evening ensembles by Yves Saint Laurent, Halston, Scaasi, and Mainbocher- street wear by mid-twentieth-century designers Vera Maxwell, Claire McCardell, and Elizabeth Hawes- a group of hats by celebrated milliner Sally Victor- and dazzling evening wear by Norman Norell.

The Brooklyn Museum’s groundbreaking collection-sharing partnership with the Metropolitan Museum of Art went in to effect in January 2009. At that time Brooklyn’s renowned costume collection of 23,500 objects, acquired over the course of a century, was transferred to the Costume Institute of the Metropolitan Museum of Art, where it is fully integrated into the Institute’s program of exhibitions, publications, and education initiatives and remains available for exhibition at the Brooklyn Museum.

Co-chairs for this year’s Ball celebrating American High Style include chef and restaurateur Mario Batali and his wife Susan Cahn, European Editor-at-Large for Vogue Hamish Bowles, New York Times Style Editor Stefano Tonchi, Museum Trustee Stephanie Ingrassia, decorative arts specialist and educator Susan Weber, photographer Annie Leibovitz, fashion designer Zac Posen, and collector Carla Shen.

An interactive dining experience, designed by Jennifer Rubell, whom New York Times senior critic Roberta Smith credits with &#8220laying waste to the prolonged ordeal that is the benefit dining experience,&#8221 will begin at 8 p.m. in the magnificent Beaux-Arts Court on the third floor. The interactive food journey through the Museum is titled Icons and includes drinking paintings, suspended melting cheese heads, and a larger-than-life dessert surprise. A hybrid of performance and installation art, Rubell’s food projects deconstruct the ritual of the meal and are often of monumental scale.

During the evening, the Brooklyn Museum will honor the Andrew W. Mellon Foundation and former Mellon Program Officer Angelica Rudenstine. Donald Randel, Mellon Foundation president, will accept the Museum’s highest honor, the Augustus Graham Medal, on their behalf.

Immediately following the Ball, the Museum will host High Style: The After Party in the Martha A. and Robert S. Rubin Pavilion. The festivities will feature artists’ fashions and dancing to live music.

Tickets to the Ball range from $500 to $1,500, and tables are available from $5,000 to $50,000. All tickets to the Ball include admission to High Style: The After Party. Tickets to the after party start at $75. Tickets may be purchased online through Monday, April 19. You may also download, print, and complete a ticket request form and send it by fax to (718) 501-6139. Further information about ticket options and table purchases is available by e-mailing [email protected] or by phoning (718) 501-6423. Proceeds from the event will support the Museum’s public and education programs.

The Augustus Graham Medal is being presented to the Andrew W. Mellon Foundation in recognition of its outstanding support of the Brooklyn Museum, including funding for the survey of the costume collection and the endowment of curatorial positions at the Museum. Through the foundation’s generosity, the first complete inventory, collection review, digital photography, and cataloguing of the Museum’s holdings of approximately 23,500 American and European costumes and accessories has been completed. More than 5,800 of the most important works are now available to scholars, students, and the public through ARTstor, an innovative online initiative of the Mellon Foundation that provides access to curated collections of art images and associated data for noncommercial, scholarly, and not-for-profit educational use.

The Augustus Graham Medal is named after one of the founders of the Brooklyn Apprentices Library in 1823. That institution, which Graham nurtured and expanded, grew into the Brooklyn Institute and later became the Brooklyn Museum.

The 1920s: Americas Golden Age of Sports

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A new book by Michael K. Bohn, Heroes and Ballyhoo: How the Golden Age of the 1920s Transformed American Sports, profiles the great American sports heroes of that era and highlights their roles in turning their sports into the kind of large spectator events they are today. Among them are the standards like Babe Ruth, Bobby Jones, Jack Dempsey, and Knute Rockne, but also those from the fringes of modern sport.

Swimmers like Johnny Weissmuller, who turned Olympic success into a seminal role as Tarzan, and Gertrude Ederle, the first to swim the English Channel are profiled. Helen Wills is here, the winner of 31 Grand Slam tennis titles who the New York Times called &#8220the first American born woman to achieve international celebrity as an athlete.&#8221 Heroes and Ballyhoo also considers the role of tennis player Bill Tilden and golfer Walter Hagen in bringing large audiences to their sports.

Arena sports became a cornerstone of modern American life in the 1920s, after Americans, freed from the burden of World War I and Victorian traditions, seemed to seek out everything that was modern, from bobbed hair, bathtub gin, jazz, Model Ts, movies and radio to fads of all kinds.

The author goes further to explore the people behind the scenes: press agents, and over-the-top sports writers and journalists that helped establish what the publisher calls &#8220the secular religion of sports and sports heroes, and helping bond disparate social and regional sectors of the country.&#8221

Reporters like Grantland Rice and Damon Runyon, are found here, along with modern era promoters like C. C. Pyle and Tex Rickard and agent Christy Walsh, a founder of sports marketing.

Photo: Parade for Gertrude Ederle coming up Broadway, New York City in 1926.

Addisleigh Park: Jazz Greats, Sports Stars & Politicians

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On Tuesday, March 2, 2010 (from 6:30-8:30pm) the New York City Historic Districts Council will offer a cultural resource survey presentation on Addisleigh Park, a little-known but culturally significant neighborhood in Southeast Queens. The event will be held at the Neighborhood Preservation Center, 232 East 11th Street, Manhattan.

In 2007 HDC began an effort to document Addisleigh Park, home to numerous major African-Americans figures such as James Brown, Roy Campanella, W.E.B. DuBois, Count Basie, Lena Horne, Jackie Robinson and Ella Fitzgerald (to name just a few). Once completed, they submitted all the material to the Landmarks Preservation Commission, who recently calendared a historic district, partially in response to our work. This free program will allow participants a firsthand look at the research and learn more about this neighborhood and its storied past.

The event is free to the public. Reservations are required, as space is limited. For more information, please contact Kristen Morith at (212) 614-9107 or [email protected].

NYS Museum Exhibit: George Eastman House Photos

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&#8220Seeing Ourselves: Masterpieces of American Photography from George Eastman House Collection&#8221 opens February 12 at the New York State Museum and will be on view through May 9 in the Museum’s West Gallery. The exhibit will introduce visitors to historical and contemporary photographic masterpieces. Proving the power of photography, more than 155 images and artifacts tell the story of America over the last 150 years.

The photographers range from professionals such as Lewis W. Hine, Dorothea Lange, Matthew Brady and many others, including several who are unidentified. The images capture America and Americans in various ages and stages. They depict grandeur and simplicity, joy and anger, beauty and grit. A limited number of brochures on the exhibition will be available at the gallery entrance.

The exhibition is drawn entirely from the collection of George Eastman House. It is arranged into five sections: “American Masterpieces,” “American Faces,” “America at War,” “America the Beautiful” and “American Families.” Each section addresses key photographic works documenting the American cultural experience.

The “American Masterpieces” section displays photographs that show outstanding artistry, skill or workmanship. They show that American masterpieces cover a broad spectrum of subject, format, and history. Some photographs began as intentional works of art while others began as something else – propaganda, information, aide memoire, or novelty — and only later achieved iconic status. This section will include “The Steerage” by Alfred Stieglitz, “Nautilus” by Edward Weston, and “Yosemite Valley, Summer” by Ansel Adams.

In the “American Faces” section visitors will see photographs of people that have been used to create celebrity, establish identity, and influence our perceptions. Photographers who have captured these American faces include Mathew Brady, Richard Avedon, Alfred Stieglitz, Dorothea Lange, Edward Steichen, Mary Ellen Mark, and Gordon Parks.

The “America at War” section reminds visitors that of all the information that photography brings us, little is more pressing than news about war. Since the beginning of photography, images have defined our understanding of conflict. Images will include “A Harvest of Death, Gettysburg” by Timothy O’Sullivan- David Douglas Duncan’s “Combat, Korea”- “Reaching Out, The DMZ” by Larry Burrows- and “Vietnam Memorial, Washington, DC” by Hiroshi Watanabe.

Timeless photographs that exemplify the beauty and power of nature and an expanding America are included in the “America the Beautiful” section. On display will be William Henry Jackson’s “Mt Sopris, from Junction of Rock Creek,” “Refugio Beach” by Ansel Adams, “Dunes” by Edward Weston and “Desertscape, Death Valley” by Marilyn Bridges.

The “American Families” section explores the role photography can play in helping to put our own family experience into context and define “family” for ourselves. Included are “Tenement Penthouse” by Weegee, “Italian Family, Ellis Island” by Lewis Hine, “East Harlem” by Helen Levitt and “The Damm Family in Their Car” by Mary Ellen Mark.

Forty-minute Interpretive Tours of Seeing Ourselves, and an open discussion focusing on several photographs, will be held at 1 and 2 p.m. on February 13-14, 27-28, March 20-21, April 24-25 and May. 8-9.

A podcast is available at http://podcast.eastmanhouse.org/discussing-seeing-ourselves/.


Photo: Powerhouse Mechanic, 1920, by Lewis W. Hine. Courtesy George Eastman House.